Nicolas Poussin, Et in Arcadia Ego

26문장 100% 한국어 번역 3명 참여 출처 : 칸아카데미

Nicolas Poussin, Et in Arcadia Ego

(music) ("In The Sky With Diamonds" by Scalding Lucy) Steven: We're in the Louvre and we're looking at a Nicholas Poussin, Et in Arcadia Ego. We have four figures.

We see ancient shepherds and a very Classical female figure.

Beth: Clearly based on ancient Greek and Roman sculpture, as are all the figures, actually.

And that treatment of the drapery that looks back to ancient Greece and the Classical period.

Steven: Right in the center, the largest, most dominant form is a tomb.

This huge solid block of masonry.

Beth: And a figure who's pointing at it and looks back at the female figure, almost alarmed at what they're reading.

Steven: There's a little ambiguity.

Is it possible they're having difficulty reading?

Do they not know this language?

Or you're right, are they disturbed by the message?

Beth: "I too am in Arcadia" meaning even death is in Arcadia.

The landscape has a setting sun.

There's a strong shadow on the tomb cast by the kneeling figure and there's a real sense of a poetic passage of time.

Steven: That initial time is important.

If you look at the tomb, it's not new.

Although it's stone, it's been harmed over time and we get a sense that it is even more ancient than these ancient people.

This is a bridge back in time.

Poussin was so interested in the archaeology of the past.

Steven: Resurrecting it through color, through form, through style and through subject.

Beth: One gets a sense that in looking back by Poussin to ancient Greek and Roman culture, he must have had a sense of ...

Steven: Longing for the past.

Beth: And also a sense of the transience of human life and of what human being make.

Steven: In a sense, the power of art to transcend time this way, both in terms of what's represented, this tomb as a kind of art.

But then also, of course, this painting itself.

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Nicolas Poussin, Et in Arcadia Ego발음듣기

(music) ("In The Sky With Diamonds" by Scalding Lucy) Steven: We're in the Louvre and we're looking at a Nicholas Poussin, Et in Arcadia Ego. We have four figures.발음듣기

We see ancient shepherds and a very Classical female figure.발음듣기

Beth: Clearly based on ancient Greek and Roman sculpture, as are all the figures, actually.발음듣기

And that treatment of the drapery that looks back to ancient Greece and the Classical period.발음듣기

Steven: Right in the center, the largest, most dominant form is a tomb.발음듣기

This huge solid block of masonry.발음듣기

Beth: And a figure who's pointing at it and looks back at the female figure, almost alarmed at what they're reading.발음듣기

Steven: There's a little ambiguity.발음듣기

Is it possible they're having difficulty reading?발음듣기

Do they not know this language?발음듣기

Or you're right, are they disturbed by the message?발음듣기

Beth: "I too am in Arcadia" meaning even death is in Arcadia.발음듣기

The landscape has a setting sun.발음듣기

There's a strong shadow on the tomb cast by the kneeling figure and there's a real sense of a poetic passage of time.발음듣기

Steven: That initial time is important.발음듣기

If you look at the tomb, it's not new.발음듣기

Although it's stone, it's been harmed over time and we get a sense that it is even more ancient than these ancient people.발음듣기

This is a bridge back in time.발음듣기

Poussin was so interested in the archaeology of the past.발음듣기

Steven: Resurrecting it through color, through form, through style and through subject.발음듣기

Beth: One gets a sense that in looking back by Poussin to ancient Greek and Roman culture, he must have had a sense of ...발음듣기

Steven: Longing for the past.발음듣기

Beth: And also a sense of the transience of human life and of what human being make.발음듣기

Steven: In a sense, the power of art to transcend time this way, both in terms of what's represented, this tomb as a kind of art.발음듣기

But then also, of course, this painting itself.발음듣기

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