Pieter Bruegel the Elder's Peasant Wedding발음듣기
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Pieter Bruegel the Elder's Peasant Wedding
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Pieter Bruegel the Elder's Peasant Wedding
(lighthearted music) Male Voiceover: Art so often focuses on the lives of kings, of biblical figures, of saints and martyrs, but what about everyday people?
What about most of us? Female Voiceover: Well, that's exactly what we get to see, thanks to Bruegel, who is known as the peasant painter.
We're seeing a peasant wedding from the late 16th century.
Male Voiceover: There's so much to look at here.
There's so many people crowded into this barn-like space.
You can see huge walls of hay that are being stored in the background, and in front of that, a long table with, well, the wedding party.
Female Voiceover: This is a new type of painting.
This is a genre painting, a scene of everyday life; and this is a subject that begins to be painted in the 16th century because the protestant reformation has happened.
Male Voiceover: So, the artist traditional patron, the church and people buying art for the church, has disappeared, and so now the artist are looking for different subjects, and we have the birth of landscape painting, genre.
We see still life beginning to develop.
This new array of options of possibilities, but of course, patronage is still coming from the wealthy.
This is a culture that was based on trade and manufacturing; and it would have been those that had made a significant amount of money that would have then gone to artists and said, "Paint me a painting about our world."
Female Voiceover: So, there is something really appealing about a monumental painting of peasants celebrating life, enjoying each others' company, and celebrating a wedding.
Male Voiceover: You use the world monumental a moment ago, and that's such a perfect word for this painting.
Bruegel paints in a style that feels monumental. the figures are solid, they seem like the salt of the earth; everything about this painting has the feeling of warm roughness.
Female Voiceover: It's important to think about that in relationship to the culture of Antwerp and Brussels, where Bruegel worked, those were big cities, that, as you said, were really wealthy; but what Bruegel is showing us here, and what his patrons wanted to see, was a much simpler life.
Male Voiceover: Let's do exactly what the artist is inviting us to do; let's walk in.
Female Voiceover: There's a lot of feasting and drinking. A lot of drinking, especially.
We see the figure on the lower left, he's pouring out the drink that's being enjoyed.
Male Voiceover: My guess is that's beer.
This is Flanders, which is now Belgium, and they made great beer; and it makes sense because that's a drink made from grain, the very material that is so much a part of the life of these peasants.
They're growing it, they're harvesting it, and here, they're participating in a wedding on the thrashing floor.
My eye first goes to that tray that's being carried by those two waiters, when they seem to be bringing in some sort of porridge or pudding in the earthenware bowls.
If you look a little bit past that, you can see a man in a red cap who's picking up those bowls and seems to be passing them down the table.
Female Voiceover: Carelessly, because one looks like it's about to the food is about to slip out of the bowl.
Male Voiceover: True. We might look under his hand and see that there's a knife, there's a cutting board, there's a loaf of bread, and then we might go to the right.
There we see, seated in a high-back chair, the notary, the legal observer of the wedding.
To his left we can see a Franciscan speaking to a man, who's elegantly dressed, and really stands out.
That would probably be the land-owner, the noble whose land all of these peasants work.
Female Voiceover: The artist is really drawing our attention to the star of the wedding, the star of any wedding, the bride, who forms the top of a pyramid between these two figures in the foreground that you were describing.
She sits in front of a green cloth, this was the tradition, below a crown and also wearing a crown; and she sits very modestly and demurely, not partaking in eating and drinking.
All part of the way peasants celebrated weddings in the 16th century.
Male Voiceover: Scholars have done research, and determined that Bruegel is quite accurate in his representation.
He's trying to get right how these rituals were enacted, and so the idea that the bride would stay very passive with her hands folded, not eating, not speaking, under that crown made of paper.
Female Voiceover: Nuptials.
Definitely nuptials, is apparently quite accurate, and so it is this glimpse, not only for us now in a later era, but even for the city patrons.
Female Voiceover: When we think about that kind of anthropologist, few maybe sometimes may think about a view that's very distant, but I don't feel that with Bruegel.
I feel a sense of sympathy with these figures, a sense of shared humanity, and I think that's what makes him a great painter, is that we look at the faces, and they feel like people we might know or recognize.
Male Voiceover: I really love the lower left corner of the painting.
This little boy whose face is almost completely obscured by his hat, although he's been dressed up.
He's got that wonderful peacock feather in his cap, and he's making sure that he doesn't miss any drop of that pudding.
Female Voiceover: Then that figure who pours the beer is very graceful in his movements.
Male Voiceover: Beautifully foreshortened rendering of the face.
This is almost drawing as well as painting.
All the way at the far end of the table, there's another lovely little vignette that shows a woman with a small child seated next to her, who's happily eating, and she seems to be looking up, holding her stein, saying, "Would you fill this up for me?"
Female Voiceover: "Hey, would you mind getting me something else to drink?"
There's also the figure who's playing the bagpipes, who's watching the food come in.
It's just a really lovely glimpse into life in the 16th century, painted with a sense of warmth and generosity.
Male Voiceover: We can inhabit this world with them, in just a wonderfully intimate way. (lighthearted music)
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(lighthearted music) Male Voiceover: Art so often focuses on the lives of kings, of biblical figures, of saints and martyrs, but what about everyday people?발음듣기
대기중
What about most of us? Female Voiceover: Well, that's exactly what we get to see, thanks to Bruegel, who is known as the peasant painter.발음듣기
대기중
You can see huge walls of hay that are being stored in the background, and in front of that, a long table with, well, the wedding party.발음듣기
대기중
This is a genre painting, a scene of everyday life; and this is a subject that begins to be painted in the 16th century because the protestant reformation has happened.발음듣기
대기중
Male Voiceover: So, the artist traditional patron, the church and people buying art for the church, has disappeared, and so now the artist are looking for different subjects, and we have the birth of landscape painting, genre.발음듣기
대기중
This new array of options of possibilities, but of course, patronage is still coming from the wealthy.발음듣기
대기중
This is a culture that was based on trade and manufacturing; and it would have been those that had made a significant amount of money that would have then gone to artists and said, "Paint me a painting about our world."발음듣기
대기중
Female Voiceover: So, there is something really appealing about a monumental painting of peasants celebrating life, enjoying each others' company, and celebrating a wedding.발음듣기
대기중
Male Voiceover: You use the world monumental a moment ago, and that's such a perfect word for this painting.발음듣기
대기중
Bruegel paints in a style that feels monumental. the figures are solid, they seem like the salt of the earth; everything about this painting has the feeling of warm roughness.발음듣기
대기중
Female Voiceover: It's important to think about that in relationship to the culture of Antwerp and Brussels, where Bruegel worked, those were big cities, that, as you said, were really wealthy; but what Bruegel is showing us here, and what his patrons wanted to see, was a much simpler life.발음듣기
대기중
This is Flanders, which is now Belgium, and they made great beer; and it makes sense because that's a drink made from grain, the very material that is so much a part of the life of these peasants.발음듣기
대기중
They're growing it, they're harvesting it, and here, they're participating in a wedding on the thrashing floor.발음듣기
대기중
My eye first goes to that tray that's being carried by those two waiters, when they seem to be bringing in some sort of porridge or pudding in the earthenware bowls.발음듣기
대기중
If you look a little bit past that, you can see a man in a red cap who's picking up those bowls and seems to be passing them down the table.발음듣기
대기중
Female Voiceover: Carelessly, because one looks like it's about to the food is about to slip out of the bowl.발음듣기
대기중
Male Voiceover: True. We might look under his hand and see that there's a knife, there's a cutting board, there's a loaf of bread, and then we might go to the right.발음듣기
대기중
To his left we can see a Franciscan speaking to a man, who's elegantly dressed, and really stands out.발음듣기
대기중
Female Voiceover: The artist is really drawing our attention to the star of the wedding, the star of any wedding, the bride, who forms the top of a pyramid between these two figures in the foreground that you were describing.발음듣기
대기중
She sits in front of a green cloth, this was the tradition, below a crown and also wearing a crown; and she sits very modestly and demurely, not partaking in eating and drinking.발음듣기
대기중
Male Voiceover: Scholars have done research, and determined that Bruegel is quite accurate in his representation.발음듣기
대기중
He's trying to get right how these rituals were enacted, and so the idea that the bride would stay very passive with her hands folded, not eating, not speaking, under that crown made of paper.발음듣기
대기중
Definitely nuptials, is apparently quite accurate, and so it is this glimpse, not only for us now in a later era, but even for the city patrons.발음듣기
대기중
Female Voiceover: When we think about that kind of anthropologist, few maybe sometimes may think about a view that's very distant, but I don't feel that with Bruegel.발음듣기
대기중
I feel a sense of sympathy with these figures, a sense of shared humanity, and I think that's what makes him a great painter, is that we look at the faces, and they feel like people we might know or recognize.발음듣기
대기중
This little boy whose face is almost completely obscured by his hat, although he's been dressed up.발음듣기
대기중
He's got that wonderful peacock feather in his cap, and he's making sure that he doesn't miss any drop of that pudding.발음듣기
대기중
All the way at the far end of the table, there's another lovely little vignette that shows a woman with a small child seated next to her, who's happily eating, and she seems to be looking up, holding her stein, saying, "Would you fill this up for me?"발음듣기
대기중
It's just a really lovely glimpse into life in the 16th century, painted with a sense of warmth and generosity.발음듣기
대기중
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