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Carrie Mae Weems on her series "From Here I Saw What Happened and I Cried"

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Carrie Mae Weems on her series "From Here I Saw What Happened and I Cried"

Carrie May Weems discusses her 1995-1996 photography series From Here I Saw What Happened And I Cried [Carrie May Weems' voice]

Power and sex, they control so much of our lives.

I've spent a great deal of time looking at questions of race and gender and out of that came this piece From HereI Saw What Happened and I Cried You have this narrative that runs across the entire work, images that lay out a very specific development of history, of photographic history in the United States, and of black history in the United States.

They're all, for the most part, black-and-white photographs.

I used a monochrome red, I placed mats over the top of them to obscure certain elements.

I add text on glass in order to also distance the original photograph and make clear this was something that was taken from something else, this was lifted.

The thing that I have learned to do, that I pay attention to are patterns of repetition, that simple refrain of you became, you became, you became or ha-ha-ha.

So it's three narratives that are working simultaneously and then the individual photographs for the most part stand alone as individual units.

A narrative like You Became A Scientific Profile, A Negroid Type, An Anthropological Debate A Photographic Subject They're all of these singular moments that go on to make a complex story.

I suppose in a way it's like a film, the way in which film functions.

It doesn't have a single note but it has many.

It has notes of complication and duplicity and complicity.

I love the rhythm of the text that's created that allows for the image to be amplified.

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Carrie Mae Weems on her series "From Here I Saw What Happened and I Cried"발음듣기

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Carrie May Weems discusses her 1995-1996 photography series From Here I Saw What Happened And I Cried [Carrie May Weems' voice]발음듣기

다른 번역문 등록

Power and sex, they control so much of our lives.발음듣기

다른 번역문 등록

They're all, for the most part, black-and-white photographs.발음듣기

다른 번역문 등록

I used a monochrome red, I placed mats over the top of them to obscure certain elements.발음듣기

다른 번역문 등록

I add text on glass in order to also distance the original photograph and make clear this was something that was taken from something else, this was lifted.발음듣기

다른 번역문 등록

The thing that I have learned to do, that I pay attention to are patterns of repetition, that simple refrain of you became, you became, you became or ha-ha-ha.발음듣기

다른 번역문 등록

So it's three narratives that are working simultaneously and then the individual photographs for the most part stand alone as individual units.발음듣기

다른 번역문 등록

A narrative like You Became A Scientific Profile, A Negroid Type, An Anthropological Debate A Photographic Subject They're all of these singular moments that go on to make a complex story.발음듣기