Umberto Boccioni, "Dynamism of a Soccer Player"

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Umberto Boccioni, "Dynamism of a Soccer Player"

The Italian Futurists were one group of artists who were doing incredible things in 1913, thinking about art as something that had to be for the new century.

Speed, noise, machinery, and the city became a key part of all of their paintings.

Dynamism of a Soccer Player challenges any viewer to actually find a soccer player two arms, two legs, a face.

No way! Colors and shapes moving, running, kicking.

Your eye is brought to the next place or to a place further down.

And there is only one way when you look at a yellow form or a red form, that you can see that form which is in relation to the colors circulating around it. The brushstrokes are extremely visible.

They're tangible. It's material. Photography, which was little more than half a century old, had an enormous impact.

Eadweard Muybridge did photography in sequence bop bop bop bop bop.

They wanted to do that in painting too.

The Futurists believed that part of being modern was not only painting modern things, but creating a ruckus.

When their pictures appeared at exhibitions, they issued manifestos, they had lectures, they had performances that absolutely provoked the people in attendance to realizing, "Wow! Even if we didn't understand the picture, what we're doing is being a witness to something that is upsetting centuries of tradition."

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Umberto Boccioni, "Dynamism of a Soccer Player"발음듣기

The Italian Futurists were one group of artists who were doing incredible things in 1913, thinking about art as something that had to be for the new century.발음듣기

Speed, noise, machinery, and the city became a key part of all of their paintings.발음듣기

Dynamism of a Soccer Player challenges any viewer to actually find a soccer player two arms, two legs, a face.발음듣기

No way! Colors and shapes moving, running, kicking.발음듣기

Your eye is brought to the next place or to a place further down.발음듣기

And there is only one way when you look at a yellow form or a red form, that you can see that form which is in relation to the colors circulating around it. The brushstrokes are extremely visible.발음듣기

They're tangible. It's material. Photography, which was little more than half a century old, had an enormous impact.발음듣기

Eadweard Muybridge did photography in sequence bop bop bop bop bop.발음듣기

They wanted to do that in painting too.발음듣기

The Futurists believed that part of being modern was not only painting modern things, but creating a ruckus.발음듣기

When their pictures appeared at exhibitions, they issued manifestos, they had lectures, they had performances that absolutely provoked the people in attendance to realizing, "Wow! Even if we didn't understand the picture, what we're doing is being a witness to something that is upsetting centuries of tradition."발음듣기

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