Giorgio de Chirico, "The Anxious Journey"

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Giorgio de Chirico, "The Anxious Journey"발음듣기

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I'm here in storage with Georgio deChirico's 1913 painting The Anxious Journey.발음듣기

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1913 was a breakthrough year for Georgio deChirico.발음듣기

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This work is probably one that was included in an exhibition that deChirico staged for himself in his studio in Paris.발음듣기

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Among the people who came to see that show was the great poet and critic and champion of Avant-guarde art, Guillaume Apollinaire.발음듣기

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In October of 1913, Appollinaire wrote of his experience of deChirico's paintings and he remarked on these paintings' absolutely modern quality and then on their strangely metaphysical character.발음듣기

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DeChirico makes you think about how a painting can be not about a reality perceived but about a reality imagined.발음듣기

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What you're looking at is a series of architectural arcades, arranged in a space that has ways that since the Renaissance, artists had used to construct a plausible representation of a believable negotiable space.발음듣기

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You have the orthogonals, you have recessive characters, but combined in a way that really doesn't add up.발음듣기

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These colonnades lead nowhere, or you don't have the opportunity to know where they lead, because the palette is so somber, and shadows fill almost every single one of them, other than this one little sliver of blue sky and brick wall.발음듣기

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Then of course there's this looming, puffing locomotive which many people have described as ominous or threatening, akin to a caged beast.발음듣기

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There definitely is something of that psychological emotional tension, by positioning this locomotive behind this brick wall.발음듣기

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Following Appolinaire's lead, a number of the Surrealist painters and poets like Andr? Breton or Ren? Magritte seized upon deChirico's work as a key precursor for what Surrealist painting should be; arrested movement, convulsive beauty, these strange dream states.발음듣기

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I think that's one of the things The Anxious Journey so beautifully exemplifies.발음듣기

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1913 remains a year when so many of his signature motifs are first seen.발음듣기

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