Girodet, The Sleep of Endymion

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Girodet, The Sleep of Endymion

We are in a Louvre and we are looking at painting by one of the David followers one of his students.

An artists who's name is quite long but is usually just shortened to Giordet And the title of the painting is "Sleep of Endymion" .

So this is an ancient myth and it speaks of a sheepard who was an ideal beauty.

And he got into an disagreement with godness Juno Who as punishment put him into the 30 years long sleep.

But rather kindly and to further the story I guess doesn't have him age.

So he maintains his ideal beauty during this 30 years sleep.

And in this scene he is visited by the chase godness Diana.

She is the godness of the hunt and apparently was so in love with him that she visited every night.

She takes the form of the moonbeam.

Well she is associated with the moon and so that is how she is personified here and she baths him in light .

The beam is coming down from the moon light sky but it got to get through all of that underbrush, and you notice that there is another figure.

That is a Zephyr who is personification of the west wind.

Who helps Diana by pulling the branches back so the light could bathe him in that extraordinary glow.

So we see this intres in the ideal male nude.

We know that David's followers in this time were looking back at ancient Greek sculptures of nude athletes and gods.

And there is a real interes here in nudity.

But the form is soften to we don't really have a lot of anatomical details and terms of musculature and we will see a little bit at the abdomen.

But as we look at the arms and legs they look rather soft and in a way a litter bit feminine.

There is no question in fact the entire painting glows so that all the clarity of lines has been removed.

And I think, it is quite clear that Giordet has been looking at some of the earlier Italian masters I am thinking about Leonardo's use of sfumato, and I am thinking about of some of the later manners, painters.

And I think we have in some ways the beginnings of romanticism.

In the figure that is really languid and sensual.

And we have emotionalism here that is very different from the severity and rationalism of Davide in neoclassicism.

I think that it is right in some ways at least in terms of temperament.

It is a return to the more lascivious or actually you can't say lascivious because of course Diana was chased.

But to the emotionalism and the intres of a heart that has been so much apart of the rococo.

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Girodet, The Sleep of Endymion발음듣기

다른 번역문 등록

We are in a Louvre and we are looking at painting by one of the David followers one of his students.발음듣기

다른 번역문 등록

An artists who's name is quite long but is usually just shortened to Giordet And the title of the painting is "Sleep of Endymion" .발음듣기

다른 번역문 등록

So this is an ancient myth and it speaks of a sheepard who was an ideal beauty.발음듣기

다른 번역문 등록

And he got into an disagreement with godness Juno Who as punishment put him into the 30 years long sleep.발음듣기

다른 번역문 등록

But rather kindly and to further the story I guess doesn't have him age.발음듣기

다른 번역문 등록

So he maintains his ideal beauty during this 30 years sleep.발음듣기

다른 번역문 등록

And in this scene he is visited by the chase godness Diana.발음듣기

다른 번역문 등록

She is the godness of the hunt and apparently was so in love with him that she visited every night.발음듣기

다른 번역문 등록

She takes the form of the moonbeam.발음듣기

다른 번역문 등록

Well she is associated with the moon and so that is how she is personified here and she baths him in light .발음듣기

다른 번역문 등록

The beam is coming down from the moon light sky but it got to get through all of that underbrush, and you notice that there is another figure.발음듣기

다른 번역문 등록

That is a Zephyr who is personification of the west wind.발음듣기

다른 번역문 등록

Who helps Diana by pulling the branches back so the light could bathe him in that extraordinary glow.발음듣기

다른 번역문 등록

So we see this intres in the ideal male nude.발음듣기

다른 번역문 등록

We know that David's followers in this time were looking back at ancient Greek sculptures of nude athletes and gods.발음듣기

다른 번역문 등록

And there is a real interes here in nudity.발음듣기

다른 번역문 등록

But the form is soften to we don't really have a lot of anatomical details and terms of musculature and we will see a little bit at the abdomen.발음듣기

다른 번역문 등록

But as we look at the arms and legs they look rather soft and in a way a litter bit feminine.발음듣기

다른 번역문 등록

There is no question in fact the entire painting glows so that all the clarity of lines has been removed.발음듣기

다른 번역문 등록

And I think, it is quite clear that Giordet has been looking at some of the earlier Italian masters I am thinking about Leonardo's use of sfumato, and I am thinking about of some of the later manners, painters.발음듣기

다른 번역문 등록

And I think we have in some ways the beginnings of romanticism.발음듣기

다른 번역문 등록

In the figure that is really languid and sensual.발음듣기

다른 번역문 등록

And we have emotionalism here that is very different from the severity and rationalism of Davide in neoclassicism.발음듣기

다른 번역문 등록

I think that it is right in some ways at least in terms of temperament.발음듣기

다른 번역문 등록

It is a return to the more lascivious or actually you can't say lascivious because of course Diana was chased.발음듣기

다른 번역문 등록

But to the emotionalism and the intres of a heart that has been so much apart of the rococo.발음듣기

다른 번역문 등록

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