Titian, Bacchus and Ariadne발음듣기
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Titian, Bacchus and Ariadne
38문장
100% 한국어
번역 3명 참여
출처 : 칸아카데미
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(piano playing) Dr. Zucker: We're in the National Gallery in London and we're looking at a really large, really important Renaissance painting, an artist who is Venetian, known simply at Titian.발음듣기
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Dr. Zucker: It tells the story of Ariadne who's love, Theseus, had just left her on the island of Naxos.발음듣기
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Dr. Zucker: You can see his ship just on the horizon, on the extreme left, to the left of her shoulder.발음듣기
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Bacchus, the God of Wine and Intoxication followed by his revelers kind of emerge in the diagonal coming forward into the foreground.발음듣기
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Dr. Harris: She's initially a little frightened of him, but promises to turn her into a constellation.발음듣기
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Dr. Zucker: Which you can see above her head in the upper left of the canvas, that group, that almost halo of eight stars.발음듣기
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Presumably she had just been mourning the loss of her lover and is turned and transfixed by his gaze.발음듣기
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He is full of energy as he literally flies out of the chariot, that drape just wild behind him and his foot supported by nothing, suspended in midair.발음듣기
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Dr. Harris: I'm struck as I continue to look by the ways that each figure embodies two opposing actions.발음듣기
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He lurches forward toward Ariadne, but also his arms move back while his head and shoulders move forward.발음듣기
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Dr. Zucker: They were both involved in doing something else and had been so drawn to each other so unexpectedly that there hands, their arms are still tracing their previous ...발음듣기
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Dr. Harris: Even the figure in the foreground, this Bacchic reveler that we see who's entwined with snakes, rather reminiscent of the way [unintelligible] the Ancient Greek sculpture, even he is doing two things at one time with his body, right?발음듣기
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He seems to be sort of reaching back, moving forward, there's all of this conflicting movements to the bodies of the figures.발음듣기
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Dr. Zucker: This was a painting that was originally created for one of the members of the d'Este family and Ferrara.발음듣기
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It would have hung in their palace and it speaks to a man who wanted to express his knowledge of antiquity and of course to also be a great patron of the Renaissance.발음듣기
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Dr. Harris: We see that thing that we know, Venus [four] which is the use of color; those blues, the reds, the pinks, the greens.발음듣기
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Dr. Zucker: With a kind of prismatic almost gem like quality, a result of his glazing technique.발음듣기
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Dr. Harris: And the browns and sort of earth tones on the right corner where the Bacchic revelers compared with the clarity of those blues and reds on the left.발음듣기
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Dr. Zucker: Not only the contrast of the actions of the figures, not only in the contrast of colors, as you've pointed out,발음듣기
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but also in the purity of the love that's expressed between those two figures, or at least Bacchus' love of Ariadne and then just the partying that's going on the right.발음듣기
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