Khnopff, Jeanne Kéfer, 1885발음듣기
Khnopff, Jeanne Kéfer, 1885
(piano playing) Beth: We're at the unbelievably beautiful Getty Center looking at a portrait by Fernand Khnopff of Jeanne KĂŠfer, she's a little girl.발음듣기
Beth: He was Belgian, he was considered a member of the Symbolist Movement so he's interested as an artist in depicting subjective, dreamy, personal states of mind.발음듣기
Steven: And this is very personal, very much about a state of mind but I'm not sure that I would call it dreamy in the tradition of symbolist manner.발음듣기
It's sort of straight forward at least in its representation but there's also a very subtle kind of intensity to it which is also a little transcendent in the symbolist sense.발음듣기
The architecture and the near right angles which are all a little off kilter, which I think is interesting because it suggests that we're coming at this from a very human perspective but then we have a little girl.발음듣기
Beth: Yeah and I think that the geometry that she's surrounded by of rectangles and squares and really, that's pretty much it.발음듣기
But yeah I think it suggests a kind of structure and order and the mind of a little girl who tries to make sense of the big world with its structures.발음듣기
Beth: Of maybe a kind of sense that she understands things about the world that maybe grown ups have forgotten somehow or lost sight of.발음듣기
Beth: Yeah and it suggests this way that grown ups have made her and their environment into this pretty thing, that she's a decorative part of somehow-발음듣기
Steven: They betray a kind of intensity and a kind of intelligence and a kind of curiosity, a kind of knowledge as you said, that transcends all of the prettiness.발음듣기
Beth: Yeah and there she is, that solid triangle in the middle of all of those squares and rectangles.발음듣기
Beth: Look at the bows on her shoes, they match the bow on her jacket and the bow on her hat.발음듣기
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