Cassatt, Breakfast in Bed

37문장 100% 한국어 번역 4명 참여 출처 : 칸아카데미
0 영상보기
영어 to
한국어
2단 보기 1단 보기
번역 0%

Cassatt, Breakfast in Bed발음듣기

다른 번역문 등록

(jazzy music) Male: We're in Pasadena, California at Female: Actually, I think it's San Marino.발음듣기

다른 번역문 등록

Male: Okay, we're in San Marino, California at the Huntington Library.발음듣기

다른 번역문 등록

We're looking at a painting by Mary Cassatt, Breakfast in Bed, which is dated to approximately 1894.발음듣기

다른 번역문 등록

It's really a gorgeous little painting.발음듣기

다른 번역문 등록

Female: It is; it's very beautiful.발음듣기

다른 번역문 등록

We see a woman lying in bed, just the upper part of her body, and she's got her arms around, I don't know, a three-year-old, a two- or three-year-old.발음듣기

다른 번역문 등록

Male: Two-year-old maybe, yeah.발음듣기

다른 번역문 등록

Very red-cheeked.발음듣기

다른 번역문 등록

Female: Yeah, very rosy-cheeked.발음듣기

다른 번역문 등록

The mother's sort of looking off out of the canvas in a very wistful way.발음듣기

다른 번역문 등록

Male: Whereas the child is absolutely present in the space, and upright and active.발음듣기

다른 번역문 등록

Female: That's true.발음듣기

다른 번역문 등록

Male: She is holding the child almost with her arm like a seat belt.발음듣기

다른 번역문 등록

Female: Right, so she doesn't slip off the bed.발음듣기

다른 번역문 등록

Male: Sort of restraining the child.발음듣기

다른 번역문 등록

Female: It's true, you can see that there's something on the mother's mind, but not the child.발음듣기

다른 번역문 등록

Male: No, it's true.발음듣기

다른 번역문 등록

The child is really in this moment, and the mother has a much broader kind of perspective.발음듣기

다른 번역문 등록

It's this incredible kind of contrast between their attentions that is really intimate and really powerfully expressed, and beautifully.발음듣기

다른 번역문 등록

Female: There's a lot of Finish, I think, or more Finish in their faces, but then all of these loose luscious brushstrokes in the whitish blue of the pillow and the bed, and even in the flesh of their skin is hatch marks of paint that are very visible.발음듣기

다른 번역문 등록

Male: There's something incredibly abstract about the way that the volumetric forms of the limbs are in contrast to the relative flatness of her nightgown, of the child's outfit, and the sheets and the pillows, all of which is white.발음듣기

다른 번역문 등록

There's this really complex interplay of those limbs against this relatively abstract painterly set of forms.발음듣기

다른 번역문 등록

Female: Although there is hatching of blues and red in the tones of their skin.발음듣기

다른 번역문 등록

But it's true, there is more painterliness.발음듣기

다른 번역문 등록

It looks like a very casual moment.발음듣기

다른 번역문 등록

You can see if you just study it a little more carefully how carefully composed it is.발음듣기

다른 번역문 등록

Male: Absolutely.발음듣기

다른 번역문 등록

Female: There's this diagonal line formed by the mother's body, but then there's blocks Male: The side of her face, yes.발음듣기

다른 번역문 등록

Female: The side of her face, right.발음듣기

다른 번역문 등록

These blocks of green that frame it.발음듣기

다른 번역문 등록

Male: And darkness.발음듣기

다른 번역문 등록

Actually, and the fourth corner is picked up by kind of a deeper tone in the sheets as well.발음듣기

다른 번역문 등록

Female: So she's sort of locked into place by those geometric forms, and then the cup and saucer.발음듣기

다른 번역문 등록

Male: But I'm really taken by this notion of attention and the relative difference of the attentions of the two figures, but also in the way that Cassatt seems to be constructing our visual attention, focusing on those faces, on the limbs to a lesser extent to the white and to the greens around them.발음듣기

다른 번역문 등록

There seems to be this really wonderful kind of agreement between the subject and actually the choices that the artist made in representation.발음듣기

다른 번역문 등록

Female: Yup, it's a beautiful painting. (jazzy music)발음듣기

다른 번역문 등록

칸아카데미 더보기더 보기

전체보기
Top