Correggio, Jupiter and Io발음듣기
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Correggio, Jupiter and Io
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Steven: And in this painting by Correggio, Io and Jupiter, he's not becoming something else so much as enveloping himself in a dark cloud, even though it's bright daylight.발음듣기
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Steven: It creates this wonderful sense of softness, even though it's just light, it's just paint.발음듣기
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Beth: Correggio's obviously looked at Leonardo and thought about Sfumato and those kinds of softening of edges.발음듣기
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Steven: But when combined with his background as a Venetian painter, thinking about light, thinking about color, you get this tour de force.발음듣기
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Beth: This was commissioned by Federico the Second, the Duke of Mantua, a member of the very powerful and wealthy Gonzaga family, for a room dedicated to the loves of Jupiter.발음듣기
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Steven: So this is a subject that was quite famous because of the poetry of Ovid, something that during the Renaissance was being revived.발음듣기
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Beth: This painting along with it's pendant which is hanging next to it of The Abduction of Ganymede were both gifts to the Holy Roman Emperor, Charles the Fifth.발음듣기
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And paintings showing Zeus, or Jupiter, flattered the power of rulers like the Duke of Mantua and the Holy Roman Emperor.발음듣기
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Look at the dappled sunlight on her calf and the back of her heel and then on the front of her foot and along her back and her arms.발음듣기
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Steven: But that feels so much more clarified and visually sharp compared to her flesh which is even softer in contrast.발음듣기
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Her right hand, her fingers open up also as though she's taking him in, her body almost melts downward.발음듣기
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Her flesh is so soft and her skin is so porcelain like and lovely, and I feel as though Correggio has offset that with this roots and moss and trees and mud and the water below her so that her flesh seems even more perfect.발음듣기
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Steven: So as she's offset by the earthly, Zeus or Jupiter, is offset by the brilliant sky above and so you have this clarity and this notion of the heavens.발음듣기
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Beth: And you can see how Correggio is going to be very important for later Baroque artists.발음듣기
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The way that Io gives herself up to a kind of ecstatic experience, foreshadows what we'll see with Bernini, for example in St. Teresa in Ecstasy.발음듣기
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