Hunt, Our English Coasts ("Strayed Sheep")발음듣기
대기중
Hunt, Our English Coasts ("Strayed Sheep")
56문장
100% 한국어
번역 2명 참여
출처 : 칸아카데미
번역
0%
Male: We're in Tate Britain and we're looking at Hunt's Our English Coasts, otherwise known as Strayed Sheep.발음듣기
대기중
Female: The Pre-Raphaelite Brotherhood was formed in 1848, so this is only four years later, 발음듣기
대기중
and we see that minute attention to detail that's so characteristic of the Pre-Raphaelites; that Ruskinian idea of truth to nature, really painting what you see.발음듣기
대기중
In a critique, he spoke about the way that this was the first time in painting's history that the sun's light had been captured in an authentic way.발음듣기
대기중
Female: One art historian has said that this painting is about light, but it's also about a lot of other things, too.발음듣기
대기중
You've got the southern English coast where the cliffs dive down to the English Channel, and you've got this flock of untended sheep, or seemingly untended sheep.발음듣기
대기중
One seems to be lost in some vegetation in the foreground, and others are lying on the ground enjoying the late afternoon sunshine.발음듣기
대기중
Female: Plein air painting was made possible because artists were able, for the first time, to get oil paint in tubes that made it possible to go outside with your paint and your supplies and paint outside.발음듣기
대기중
Female: In 1852, we know that there was particular concern for the safety of England from foreign invasion, the safety of the coasts, from foreign invasion.발음듣기
대기중
This is an island nation where the shores had been safe a very long time, but very much tied in, 발음듣기
대기중
woven into the consciousness of every British citizen is the critical historical moment when the Normans from France invaded England in 1066 and actually landed in Hastings, which is very close to where this painting was made.발음듣기
대기중
Female: In much more recent memory, for the Victorians, was Napoleon, and the Duke of Wellington's defeat of Napoleon.발음듣기
대기중
Male: In fact, the Duke of Wellington was actively, at this moment, talking about the vulnerability of the English coasts.발음듣기
대기중
Now, Napoleon III had seized power only the year before, in France, and the English were very skittish about this.발음듣기
대기중
Female: The British were not sure what Anglo-French relations were going to be with this new Napoleon in power, so this was definitely a moment where there was fear for the safety of England.발음듣기
대기중
Male: We can see just to the left, of course, the English Channel itself, and just across the way, almost visible, is France.발음듣기
대기중
So there is this sense that that innocence of those sheep is also about the vulnerability of the populace of England.발음듣기
대기중
What's especially fascinating is that when this painting was exhibited three years later in France at the Universal Exposition in Paris, Hunt changed the name from Our English Coasts to Strayed Sheep.발음듣기
대기중
Female: Right. Not a kind of nationalistic Our English Coast but a more generic idea of strayed sheep, which of course has its own meanings as well.발음듣기
대기중
Male: Strayed Sheep has a Christian reference, the idea of the flock, the idea of the followers of Christ, but maybe not following all that strictly.발음듣기
대기중
Also, Hunt may have been referring to the way that there were internal conflicts in the Church of England and that meant that perhaps the Church of England wasn't taking care of its flock particularly well at that time either.발음듣기
대기중
Male: I think for Hunt it was important that there were multiple possibilities, and in a sense give this painting a kind of depth and a kind of power that goes well beyond the simple landscape.발음듣기
대기중
Female: We see that Pre-Raphaelite interest in truth to nature especially in the flowers on the left, where Hunt seems to have painted every single leaf and blade of grass and each petal on every flower.발음듣기
대기중
Male: He complained that the weather that summer was just rotten and, in fact, didn't finish this painting until November because there were so many storms.발음듣기
대기중
Male: That's right. But I think that reminds us of what it meant, the kind of commitment to what he was actually seeing.발음듣기
대기중
Female: And that's so different than academic practice where there were formulas for representing things instead of taking things directly observed from nature.발음듣기
대기중
Male: This was meant to be real and honest and to strip away all of that academic tradition.발음듣기
대기중
Female: It's incredibly tactile. There's the fir, the sunlight, the vegetation, even the smell of being near the beach.발음듣기
대기중
칸아카데미 더보기더 보기
-
Confucius and the Hundred Schools of Thought
97문장 100%번역 좋아요2
번역하기 -
Discretionary and mandatory outlays of the US...
54문장 100%번역 좋아요2
번역하기 -
58문장 100%번역 좋아요0
번역하기 -
Fallacies: Affirming the consequent
33문장 100%번역 좋아요0
번역하기
