Apulu (Apollo of Veil)

47문장 100% 한국어 번역 7명 참여 출처 : 칸아카데미
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Apulu (Apollo of Veil)발음듣기

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(jazzy music) [Voiceover] The ancient Etruscans built temples that in some ways looked like Greek and Roman temples but are also distinct.발음듣기

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[Voiceover] But when we look at them from the front, they certainly look like ancient Greek temples.발음듣기

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But they're really different. [Voiceover] For one thing, the Etruscans did not use the Greek orders, that is doric, or ionic, or Corinthian.발음듣기

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For another, they had very deep porches and the temples tended to be more square.발음듣기

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[Voiceover] And they're not made of stone the way ancient Greek temples were.발음듣기

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[Voiceover] We're looking at the fragments of four large scale terra cota figures from the temple at Veii, which was a principle city of the Etruscans.발음듣기

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And we're seeing them in the Etruscan museum in Rome.발음듣기

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[Voiceover] In ancient Greek architecture, we might expect to see figures like this occupy the pediment.발음듣기

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But instead, these figures lined the rooftop.발음듣기

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[Voiceover] And like ancient Greek sculpture, they were very highly painted.발음듣기

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[Voiceover] So it's such an interesting moment in Italy in the 6th century.발음듣기

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We have Greek colonies in the south of Italy, we have the Romans in Rome although ruled by Etruscan kings, 발음듣기

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and then up in the northern part of Italy we have a confederacy of about a dozen Etruscan city states.발음듣기

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So Italy is a complicated place in the 6th century B.C.E.발음듣기

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[Voiceover] These are slightly larger than life.발음듣기

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And although they were placed equidistantly, they do enact a specific scene.발음듣기

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[Voiceover] This is a scene from ancient Greek mythology.발음듣기

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It's the third labor of Hercules.발음듣기

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Hercules is sent out to capture a very large deer with golden horns.발음듣기

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Now, this deer is very special to the goddess Artemis.발음듣기

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And actually the idea is that the person who sent Hercules on this labor wants to annoy Artemis.발음듣기

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[Voiceover] So then she punishes Hercules.발음듣기

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Now Hercules is known in the original Greek is Herakles.발음듣기

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And he's shown here with the golden hind under him.발음듣기

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He has been able to capture it and now he's being confronted by both Artemis and her brother Apollo.발음듣기

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[Voiceover] They want the deer back.발음듣기

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[Voiceover] And so Hercules promises to release it once he shows it to the king who sent him on this labor.발음듣기

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[Voiceover] Something we find in Etruscan sculpture is this sense of movement and liveliness.발음듣기

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We see that in the sarcophagus of the spouses, for example.발음듣기

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And we see that here with the figure of Apollo, who is striding forward.발음듣기

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And Hercules too, whose body is leaning forward and whose knee is raised.발음듣기

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We see that sense of musculature and animation.발음듣기

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[Voiceover] These are terra cotta, that is they're clay.발음듣기

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So they would've been modeled in an additive process.발음듣기

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[Voiceover] Apollo wears that archaic smile that we're used to seeing from the Carros figures.발음듣기

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But he's still very different than the Greek figures.발음듣기

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His smile is a little bit more animated, his proportions of his body are different.발음듣기

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[Voiceover] And the look on this face is not one that is looking out into a generalized space, he is catching the eye of Hercules.발음듣기

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He is engaged directly, and therefore engages us.발음듣기

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[Voiceover] And just like their faces are stylized, their bodies are also highly stylized.발음듣기

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There's almost a sense of twisting at the hips and the shoulders are overly rounded and broad.발음듣기

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This is not a naturalistic depiction of the body.발음듣기

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[Voiceover] And the artist seems to favor detail.발음듣기

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For instance, look at the way that the drapery falls flat, creating these lovely little loops.발음듣기

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And look at the marvelous detail of the feet.발음듣기

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This is such a tease, because here we have this engaging, lively sculpture from a culture whose literature has been lost and who we know so little about. (jazzy music) 발음듣기

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