참여번역 : 어학사전

Ludwig van Beethoven: Symphony No. 5 Analysis by Gerard Schwarz (part 2)

49문장 100% 한국어 번역 3명 참여 출처 : 칸아카데미

0 영상보기

내 번역문 보기

영어 to

한국어

2단 보기 1단 보기

Ludwig van Beethoven: Symphony No. 5 Analysis by Gerard Schwarz (part 2)

The second movement is a series of variations.

This beautiful lilting theme is first played by the violas and the cellos. ("Symphony No. 5, Second Movement" by Beethoven)

There's an answer to that played by the violins and the woodwinds. (orchestral music)

Then comes the interlude, or you could call it a second theme, if you like.

First, it starts played by the clarinet and bassoon. (orchestral music)

And then it becomes triumphant.

Played by the horns, trumpets and the full orchestra. (dramatic orchestral music)

Then we're back to the original theme, except this time it's the first variation.

So this variation has that original theme, but played still with the violas and the cellos, but with faster notes.

It still has the response of the woodwinds and the strings.

And again leads us back to the clarinets, the bassoons with a second little theme, and the triumphant theme of the trumpets, horns accompanied by the strings.

Then we get to the second variation.

Which are faster notes yet, again played by the viola and the cellos. (orchestral music)

Then there's a little version for the violins.

Finally, they get into the picture and play a little variation.

And that leads to a kind of heroic one.

So far the themes always been soft.

And now, the cellos and basses are playing this same variation on this theme in a very extroverted way. (orchestral music)

And a remarkable cadence leads us to a little interlude for the whole woodwind section.

So now the woodwinds have a little something of their own. (lilting orchestral music)

If you think of it, the piece has the string section playing what they play.

The woodwinds playing what they play.

And when we get to the triumphant. (piano notes)

Even though it's full orchestra, the timpani, trumpets and horns lead that fade in. (orchestral music)

So that we have a little interlude by the woodwinds.

And then, we have a variation that the woodwinds play.

So finally, they get to play one of these variations by themselves.

If you can just see Beethoven's mind working.

It's almost as if he had a checklist, "I'm gonna have some variations with the woodwinds.

'"I'm gonna have a variations with the violins.

'"I'll have one with the violas and cellos.

'"I'll add the basses in this variation.

'"I'll have the triumphant theme played softly by the woodwinds, and make that a variation on that as well." (orchestral music)

Beethoven alternated between the woodwinds, the brass, the strings.

Back and forth, obviously he had variation, and he had contrast.

Contrast volume, contrast of the speed of the notes, contrast of the musical inflection, or the musical impedes that leads.

He then even does the first theme, the one that we originally heard on the violas and cellos, in a heroic fashion played by the full orchestra. (orchestral music)

Another variation, is a variation for the solo bassoon.

And there's this little comment from the oboe.

It's like a conversation.

The bassoon plays, (piano notes) and the oboe does things like, (lilting piano notes) a little comment.

Until they come together at the end. (orchestral music)

The final variation, he takes the same material and he does it in a kind of mysterious way.

The woodwinds are playing quite softly. (soft orchestral music)

And then it builds. (orchestral music)

It builds. (building orchestral music)

It builds. (dramatic orchestral music)

And in wonderful Beethoven fashion, it ends strong and in a very positive way.

번역 0% 대기중

Ludwig van Beethoven: Symphony No. 5 Analysis by Gerard Schwarz (part 2)발음듣기

다른 번역문 등록

The second movement is a series of variations.발음듣기

다른 번역문 등록

This beautiful lilting theme is first played by the violas and the cellos. ("Symphony No. 5, Second Movement" by Beethoven)발음듣기

다른 번역문 등록

There's an answer to that played by the violins and the woodwinds. (orchestral music)발음듣기

다른 번역문 등록

Then comes the interlude, or you could call it a second theme, if you like.발음듣기

다른 번역문 등록

First, it starts played by the clarinet and bassoon. (orchestral music)발음듣기

다른 번역문 등록

And then it becomes triumphant.발음듣기

다른 번역문 등록

Played by the horns, trumpets and the full orchestra. (dramatic orchestral music)발음듣기

다른 번역문 등록

Then we're back to the original theme, except this time it's the first variation.발음듣기

다른 번역문 등록

So this variation has that original theme, but played still with the violas and the cellos, but with faster notes.발음듣기

다른 번역문 등록

It still has the response of the woodwinds and the strings.발음듣기

다른 번역문 등록

And again leads us back to the clarinets, the bassoons with a second little theme, and the triumphant theme of the trumpets, horns accompanied by the strings.발음듣기

다른 번역문 등록

Then we get to the second variation.발음듣기

다른 번역문 등록

Which are faster notes yet, again played by the viola and the cellos. (orchestral music)발음듣기

다른 번역문 등록

Then there's a little version for the violins.발음듣기

다른 번역문 등록

Finally, they get into the picture and play a little variation.발음듣기

다른 번역문 등록

And that leads to a kind of heroic one.발음듣기

다른 번역문 등록

So far the themes always been soft.발음듣기

다른 번역문 등록

And now, the cellos and basses are playing this same variation on this theme in a very extroverted way. (orchestral music)발음듣기

다른 번역문 등록

And a remarkable cadence leads us to a little interlude for the whole woodwind section.발음듣기

다른 번역문 등록

So now the woodwinds have a little something of their own. (lilting orchestral music)발음듣기

다른 번역문 등록

If you think of it, the piece has the string section playing what they play.발음듣기

다른 번역문 등록

The woodwinds playing what they play.발음듣기

다른 번역문 등록

And when we get to the triumphant. (piano notes)발음듣기

다른 번역문 등록

Even though it's full orchestra, the timpani, trumpets and horns lead that fade in. (orchestral music)발음듣기

다른 번역문 등록

So that we have a little interlude by the woodwinds.발음듣기

다른 번역문 등록

And then, we have a variation that the woodwinds play.발음듣기

다른 번역문 등록

So finally, they get to play one of these variations by themselves.발음듣기

다른 번역문 등록

If you can just see Beethoven's mind working.발음듣기

다른 번역문 등록

It's almost as if he had a checklist, "I'm gonna have some variations with the woodwinds.발음듣기

다른 번역문 등록

'"I'm gonna have a variations with the violins.발음듣기

다른 번역문 등록

'"I'll have one with the violas and cellos.발음듣기

다른 번역문 등록

'"I'll add the basses in this variation.발음듣기

다른 번역문 등록

'"I'll have the triumphant theme played softly by the woodwinds, and make that a variation on that as well." (orchestral music)발음듣기

다른 번역문 등록

Beethoven alternated between the woodwinds, the brass, the strings.발음듣기

다른 번역문 등록

Back and forth, obviously he had variation, and he had contrast.발음듣기

다른 번역문 등록

Contrast volume, contrast of the speed of the notes, contrast of the musical inflection, or the musical impedes that leads.발음듣기

다른 번역문 등록

He then even does the first theme, the one that we originally heard on the violas and cellos, in a heroic fashion played by the full orchestra. (orchestral music)발음듣기