LESSON 5 Review of Time Signatures Simple, Compound and Complex

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LESSON 5 Review of Time Signatures Simple, Compound and Complex

[Voiceover] There are three types of time signatures, simple time, which includes any time signature with the upper number, the number of beats in each bar, divided by two, such as 2/8, 2/4, 4/8, 4/4, 6/4, 8/8, 8/4, and so forth.

In this category, we also include 3/4 and 3/8.

In compound time signatures, that beat can be broken down into three, as we have discussed, like 6/8, 9/8, 12/8, 15/8.

We also have asymmetrical time signatures, also called complex or irregular time, which generally contain five or seven beats.

Let's look at a few of these.

At the end of Ravel's Daphnis et Chloe, he wrote his wild finale in 5/4, a fast 5/4.

In general, the five is divided into three plus two.

(Daphnis et Chloe) When we listen to the end of Firebird, we first hear 7/4 in a fast tempo, divided into three plus two plus two, or two plus two plus three.

(Firebird) After a few measures, Stravinsky instructs us to play the material twice slower and the 7/4 becomes a slow 7/4, but still divided into three plus two plus two, or two plus two plus three. (Firebird)

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LESSON 5 Review of Time Signatures Simple, Compound and Complex발음듣기

다른 번역문 등록

[Voiceover] There are three types of time signatures, simple time, which includes any time signature with the upper number, the number of beats in each bar, divided by two, such as 2/8, 2/4, 4/8, 4/4, 6/4, 8/8, 8/4, and so forth.발음듣기

다른 번역문 등록

In this category, we also include 3/4 and 3/8.발음듣기

다른 번역문 등록

In compound time signatures, that beat can be broken down into three, as we have discussed, like 6/8, 9/8, 12/8, 15/8.발음듣기

다른 번역문 등록

We also have asymmetrical time signatures, also called complex or irregular time, which generally contain five or seven beats.발음듣기

다른 번역문 등록

Let's look at a few of these.발음듣기

다른 번역문 등록

At the end of Ravel's Daphnis et Chloe, he wrote his wild finale in 5/4, a fast 5/4.발음듣기

다른 번역문 등록

In general, the five is divided into three plus two.발음듣기

다른 번역문 등록

(Daphnis et Chloe) When we listen to the end of Firebird, we first hear 7/4 in a fast tempo, divided into three plus two plus two, or two plus two plus three.발음듣기

다른 번역문 등록

(Firebird) After a few measures, Stravinsky instructs us to play the material twice slower and the 7/4 becomes a slow 7/4, but still divided into three plus two plus two, or two plus two plus three. (Firebird)발음듣기

다른 번역문 등록

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