Timpani: Interview and demonstration with principal Jauvon Gilliam

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Timpani: Interview and demonstration with principal Jauvon Gilliam 발음듣기

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(timpanist quietly pulsates the beat with the orchestra) (timpanist plays a drum roll at the climax of the movement) The instruments that I'm playing are called timpani or kettledrums.발음듣기

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They are used, basically, in the position of driving the bus or driving the rhythm with the orchestra.발음듣기

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That's generally my main job within the ensemble is to lead from the back, if you will.발음듣기

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I am placed at the back, in the center, and on risers.발음듣기

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And that's so that I can have a unique vantage point like that of the conductor.발음듣기

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(Jauvon plays steadily, quietly with the orchestra) All timpani do not look alike.발음듣기

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It depends on the age and the type of copper.발음듣기

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For example, the timpani that I have are not lacquered.발음듣기

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It gives it a special quality that's somehow for me, it's very present, but somehow it can be intangible sometimes.발음듣기

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But it definitely depends on the bowl shape, the actual type of bowl, the drum head that you put on it, and obviously the type of sticks that you use.발음듣기

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(Jauvon plays a dramatic timpani solo) I brought with me three different types of sticks to show you.발음듣기

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Some of the many types of sticks that I do own.발음듣기

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Sticks can be any number of shapes, sizes, thicknesses.발음듣기

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The type of core you use can be different. The length and everything.발음듣기

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So, here we have a hickory stick that has a tapered shaft, that has a felt core with billiard felt on it.발음듣기

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So, it's a very articulate type of sound, yeah.발음듣기

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Next, we have a general mallet.발음듣기

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This is actually a graphite stick that has a wood core and has a felt liner on it as well. More of a general sound.발음듣기

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This one here is a bamboo stick, that same thing, has German felt lined around it, but this core is a felt core.발음듣기

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And so, between the different weights, the different lengths as you can see, and the different head sizes, you can get a variety of sounds.발음듣기

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And this is one of very many types of sticks that I own and do use.발음듣기

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There's generally one place where you want to strike the drum.발음듣기

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And that's generally four to six inches off the lip of the bowl or maybe six or seven inches from the very rim.발음듣기

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That creates the most resonant, most desirable sound to the ear.발음듣기

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New music sometimes dictates and asks us to play all over.발음듣기

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(Jauvon plays timpani along with driving orchestral music) (Jauvon plays a forceful timpani solo) Some composers do specify what they want as far as sticks.발음듣기

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Hector Berlioz was the first composer, who was actually a timpanist himself.발음듣기

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Who specified whether he wanted wood sticks or the word which he called it, which was sponge-covered sticks, which in our vernacular is felt-covered sticks.발음듣기

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And so, he was the first composer to specify.발음듣기

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Mahler specifies. And some other composers specify.발음듣기

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But generally, it's my call as to what sticks are being used or I choose what stick that I feel is appropriate for the repertoire or in some cases appropriate for the particular note that I'm playing in the repertoire.발음듣기

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I have a myriad of sticks, and I change throughout the pieces to find the best sound.발음듣기

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(Jauvon plays timpani along with vibrant orchestral music) Timpani are tuned in two ways. One is by my feet.발음듣기

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And the other is by my hands when I'm not playing.발음듣기

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I can use my feet to push on a pedal that's located near the floor.발음듣기

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(Jauvon plays different notes on the timpani) And that changes the pitch.발음듣기

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Basically it stretches the head across the rim, which stretches the rim across the actual kettle.발음듣기

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And for some tinier, smaller increments, I can use what we call a fine tuner, where you can take it and you can tweak it and make different sort of adjustments that way as well.발음듣기

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So, sometimes you will see me put my head really close to the drum and tap, tap, tap.발음듣기

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Basically, what I am doing is, I am checking to make sure that the pitch that I'm about to play is in tune with the instruments that are playing already.발음듣기

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Because I use a natural skin or calfskin head, the weather, the type of day, the strength of the lights on stage, a lot of things can affect the actual fluctuation of the pitch.발음듣기

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And that happens in seconds at times.발음듣기

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So, you have to be sure, and you have to have a process that you go through to check to make sure that when you actually play, you're in tune.발음듣기

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(Jauvon plays timpani in an intense orchestral piece) There's a lot of great repertoire that we're doing, but one of the parts that really sticks out for me, there's actually two.발음듣기

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One of them is in Mahler's Second Symphony.발음듣기

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There's a part, it's the recapitulation, where it comes back at the very beginning, and you hear it again maybe 15 or so minutes later.발음듣기

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There's two timpanists in that piece, and we're both playing away. There's this huge climax.발음듣기

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It's the entire orchestra is putting their heart and soul into it, and that's one of those moments where I get goosebumps, and I feel very, very fortunate to be doing what I'm doing.발음듣기

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(timpanist plays dramatic drum roll) And one of the other moments is actually at the end of "The Firebird" by Stravinsky.발음듣기

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It's such a gorgeous and lyric melody that comes up before that, and then there's this explosion of sound that I punctuate the end of this fantastic piece.발음듣기

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And those are the moments that really I live for.발음듣기

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(Jauvon plays timpani in the stirring orchestral piece) I actually started my musical career on piano.발음듣기

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I went to university on a full piano scholarship.발음듣기

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And long story short, ended up switching to percussion.발음듣기

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And once I decided that I wanted to become a timpanist, I pretty much put all of my energy into that.발음듣기

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Started my master's at a conservatory specifically for timpani and then I was offered a job shortly thereafter.발음듣기

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I was actually a pretty good piano player.발음듣기

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The change that happened for me was actually when I met my teacher when I was in school in Indianapolis, he basically lit the fire for me.발음듣기

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And once I realized the possibilities of timpani, it did, it made more of a comfortable fit for me to enjoy the music, play less notes, and be able to watch and sit around.발음듣기

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Versus with piano where you play lots and lots of notes.발음듣기

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It's sort of a different genre and a different way of expressing yourself.발음듣기

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And when you put all the pieces together, it really does create some spectacular moments.발음듣기

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(Jauvon plays timpani in a stately orchestral piece) (Jauvon plays a drum roll) (Jauvon plays a drum roll during the finale of the piece)발음듣기

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