Ernst Ludwig Kirchner, "Street, Berlin"발음듣기
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Ernst Ludwig Kirchner, "Street, Berlin"
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Ernst Ludwig Kirchner, "Street, Berlin"
I'm in MOMA's storage with Erntst Ludwig Kirchner's The Street, Berlin painted in 1913.
Kirchner had moved to Berlin a couple of years earlier with other members of the Expressionist painter group Die Br?cke but by 1913 many of them had left and he was there in the city on his own.
This is one of a number of street scenes he painted, all characterized, as this work is, by this vivid, anti-naturalistic color, these spilling perspectives and this very visible brush-stroke, all hallmarks of Expressionist painting.
You instantly recognize that Kirchner's subject is not the City, per se, instead his true subject is the psychological experience of an individual in this very large, overcrowded urban metropolis.
At this point, Berlin was the third largest city in the world and Kirchner clearly is responding to that in the way he structures this composition.
The figures in the very center are two prostitutes who, for him, embodied not only glamour and alienation, but the sad reality of a culture in which everything was for sale.
You see them surrounded by this relatively faceless, anonymous mass of these black-garbed or -suited men, none of whom engage them directly.
These are symbolic representations of a form of urban angst that is made all the more dramatic by the way that he tilts and spills this composition out toward us.
The effect is claustrophobic, I think, for us as a viewer and is reminiscent of what it must have been like for Kirchner to experience the streets of Berlin in 1913.
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Kirchner had moved to Berlin a couple of years earlier with other members of the Expressionist painter group Die Br?cke but by 1913 many of them had left and he was there in the city on his own.발음듣기
대기중
This is one of a number of street scenes he painted, all characterized, as this work is, by this vivid, anti-naturalistic color, these spilling perspectives and this very visible brush-stroke, all hallmarks of Expressionist painting.발음듣기
대기중
You instantly recognize that Kirchner's subject is not the City, per se, instead his true subject is the psychological experience of an individual in this very large, overcrowded urban metropolis.발음듣기
대기중
At this point, Berlin was the third largest city in the world and Kirchner clearly is responding to that in the way he structures this composition.발음듣기
대기중
The figures in the very center are two prostitutes who, for him, embodied not only glamour and alienation, but the sad reality of a culture in which everything was for sale.발음듣기
대기중
You see them surrounded by this relatively faceless, anonymous mass of these black-garbed or -suited men, none of whom engage them directly.발음듣기
대기중
These are symbolic representations of a form of urban angst that is made all the more dramatic by the way that he tilts and spills this composition out toward us.발음듣기
대기중
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