Matisse, "The Blue Window"발음듣기
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Matisse, "The Blue Window"
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Matisse, "The Blue Window"
I'm in MOMA's storage with Henri Mattisse's Blue Window.
Matisse had first made a name for himself as a painter of these brilliantly colored canvases with very discrete structuring brushstrokes.
In this work of 1913, you see him at a different moment.
The mood, the overall color palette, is more subdued and there is a clear sense of Matisse engaging with the Cubist geometries of his contemporaries of the moment.
Matisse's overarching goals at this moment remain constant, to arrive somehow at the Essential Character of Things.
This is a very reduced version of the view of his studio that he saw out of his bedroom window.
When you first look at it, the overall impression is of this expanse of blue, of this virtually monochromatic canvas.
Several scholars believe that in creating this picture, Matisse used what was known as a Cloude, or a Black Mirror.
In fact, this little square in the lower right of the composition may be a stylized representation of this artist's tool.
They were a device which eliminates all sensations of color, probably a very useful tool for him in stylizing, reducing, simplifying what he saw before him.
When you look at this work, with X-Rays, for example, you can see up in the tree areas he gradually eliminated details.
The more you look at it and begin to look at the relations of one part to another, you realize that a major reason for its beauty is that Matisse has so carefully aligned virtually every element in this picture.
Everything in some way lines up, the top of the statue with this black line of the window or the top of the lamp.
Or this band that may have been a curtain, maybe a wall, but that Matisse extends down into what really becomes this wonderful abstract blue stripe.
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Matisse had first made a name for himself as a painter of these brilliantly colored canvases with very discrete structuring brushstrokes.발음듣기
대기중
The mood, the overall color palette, is more subdued and there is a clear sense of Matisse engaging with the Cubist geometries of his contemporaries of the moment.발음듣기
대기중
Matisse's overarching goals at this moment remain constant, to arrive somehow at the Essential Character of Things.발음듣기
대기중
This is a very reduced version of the view of his studio that he saw out of his bedroom window.발음듣기
대기중
When you first look at it, the overall impression is of this expanse of blue, of this virtually monochromatic canvas.발음듣기
대기중
Several scholars believe that in creating this picture, Matisse used what was known as a Cloude, or a Black Mirror.발음듣기
대기중
In fact, this little square in the lower right of the composition may be a stylized representation of this artist's tool.발음듣기
대기중
They were a device which eliminates all sensations of color, probably a very useful tool for him in stylizing, reducing, simplifying what he saw before him.발음듣기
대기중
When you look at this work, with X-Rays, for example, you can see up in the tree areas he gradually eliminated details.발음듣기
대기중
The more you look at it and begin to look at the relations of one part to another, you realize that a major reason for its beauty is that Matisse has so carefully aligned virtually every element in this picture.발음듣기
대기중
Everything in some way lines up, the top of the statue with this black line of the window or the top of the lamp.발음듣기
대기중
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