Rene Magritte. The Portrait. 1935

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Rene Magritte. The Portrait. 1935발음듣기

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In preparation for the Magritte exhibition we began examining The Portrait from 1935 and what started as a fairly routine conservation treatment uncovered some very interesting details about Magritte's painting.발음듣기

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As soon as we unframed The Portrait we noticed something unusual.발음듣기

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The paint actually went around the edges and was painted on all 4 sides.발음듣기

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That was unusual for Magritte because normally you can see the white priming layer on all the edges.발음듣기

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We began with our normal examination process which involves taking the painting into the photo studio.발음듣기

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In ultraviolet I noticed that there was some sort of discoloration that was occurring.발음듣기

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It wasn't clear that it was in the varnish that was present or something coming from beneath the surface.발음듣기

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Proceeding with the cleaning, I used a solvent-based solution to remove the varnish, and once that was complete, again took the painting back into the photo studio.발음듣기

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I could still see that form underneath, but it was even more robust.발음듣기

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What was happening is, something underneath was fluorescing differently than the upper paint layer.발음듣기

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In the darkroom I held each x-ray film up to the lightbox, but you can only see one film at a time. It looked very unusual.발음듣기

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It looked like there was something else underneath the bottle, something else underneath the plate, something else underneath the glass, but without having them all together, I couldn't make it out.발음듣기

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It just looked like a series of confusing brush strokes.발음듣기

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I actually rotated the x-ray to the left 90 degrees.발음듣기

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I spent about half an hour sitting on the floor in front of it, tracing my finger along it until I could make out the form underneath.발음듣기

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I moved them closer and closer and let them overlap and I could see the outline of a nude woman beneath.발음듣기

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I was shocked and immediately got out my phone and took pictures and texted my colleagues to get the word out as fast as possible.발음듣기

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After seeing this incredible image emerge from underneath The Portrait we were immediately wanting to know what the source was.발음듣기

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One of my colleagues from the Menil Collection happened to be here and see it and suggested a painting that was actually done by Magritte in 1927 and was thought to be lost.발음듣기

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This work under The Portrait matched a quarter of a section of The Enchanted Pose which was a much larger painting.발음듣기

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Now we believe he must have cut up the painting into 4 sections and reused the sections for paintings in 1935.발음듣기

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I've been working at MOMA for a little over 5 years now and been fortunate enough to help with a lot of x-radiography that is performed here.발음듣기

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But this was a first for me and probably the opportunity of a lifetime.발음듣기

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