Guitar, Glass, and Bottle by Pablo Picasso 발음듣기
Guitar, Glass, and Bottle by Pablo Picasso
He, along with other Cubist painters - notably Georges Braque and Juan Gris - had begun to introduce non-art materials into their fine-art pictures - things like wallpaper or newspaper - a few snippets of which you see here.발음듣기
The result is really one of Picasso's most complex paintings of the Cubist period, in terms of its facture and the variety of its surface effects.발음듣기
Stencils, bits of cardboard to push up against the edges of paintings. These very sharp, distinct lines.발음듣기
Sometimes he would use, with a stencil that was cut, the jagged edges of his scissors, (Right?) would be translated over into the paint.발음듣기
Our conservators suspect that in some areas creating skins of paint - skins of white lead paint - and then literally applying those in these shaped contours to the surface of this work - so, actually, taking the material of paint and making it a collage element literally. [LAUGHTER.]발음듣기
The Paris Surrealists, some people like Louis Aragon and Andr? Breton, always insisted, in fact, that paste and paper were not essential to the making of collage.발음듣기
They really described collage as an operation that set out to produce a work of art, that wasn't a seamless unity - that wasn't a coherent whole.발음듣기
Picasso's always engaged with this game of the true and the false, the vrai and the faux, reality and illusion.발음듣기
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