Framing "Christina's World" by Andrew Wyeth

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Framing "Christina's World" by Andrew Wyeth발음듣기

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The frame shop here that we shell the modern art is actually unique.발음듣기

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We do most of the framing for the collections, the exhibitions and traveling exhibitions.발음듣기

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Anything what it is, is the inside.발음듣기

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We have a small woodworking shop, we have seven people working as a depatment but we produce a tremendous amount of work In the case of Christina's World it can be a two - model It has to fit within a certain context.발음듣기

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Automatically, the best frame is the one that doesn't call attention to itself.발음듣기

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The frame has a way of pushing and pulling.발음듣기

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Normally, if you had a landscape, it would be what is called 'a core'.발음듣기

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The frame comes out creating a window into the work. This work is reverse.발음듣기

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The painting comes forward, and the frame goes back.발음듣기

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The third thing I wanted to it was to understand why the frame was not working.발음듣기

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What was it about the frame, that could be improved on.발음듣기

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It was not original to the work.발음듣기

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The framers talk about the frames in terms of weight, not necessarily in terms of look.발음듣기

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The frame could be too light, it could be too heavy.발음듣기

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The frame that it had was a little bit light, a little thinner even though it had a gold end on the inside.발음듣기

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The gilded liner of the frame was actually touching the chimneys of the house Wyeth spent a geat deal of time and effort coming all the way to the edge, so it's important that we see the entire panel. This painting actually is floating.발음듣기

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The little frames in one here here is not damaging or causing any pressure.발음듣기

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Many of the frames that Wyeth selected for his work were painted and he always wanted to pick a colour from the painting and use the colour in the frame.발음듣기

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If the artist does this one thing, the framer shouldn't be doing that.발음듣기

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But I thought it would be a very natural wood and basically said the painting would end the frame as a beautiful little jewel.발음듣기

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The whole frame is made from one single piece of wood, so that the grange is continuous.발음듣기

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We knew from the beginning that we would gonna have a gold bend and decided to put a coat on the inside to separate the gilding.발음듣기

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The next step is to decide on the panel - one element that would justify angle in the panel to the outside is the roof of the house.발음듣기

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Then you have to decide how that panel is going to end.발음듣기

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This is the sort of robbed stuff, it has another angle to the back the frame will appear almost floating on the wall, because when you light it, it's gonna cast the shadow behind it.발음듣기

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After you make the frame, you are thinking about the different stains.발음듣기

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Once you put a stain on the panel, you can't take it off.발음듣기

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And that's why you come in with making as many samples as possible.발음듣기

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You're seeing the exact same piece of wood you can see the difference if you put them next to it.발음듣기

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These are very very minor variations that automatically you don't pay attention to, but in terms of the framing it is rather important and it has a way of affecting how we see a painting.발음듣기

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