Framing "Christina's World" by Andrew Wyeth발음듣기
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Framing "Christina's World" by Andrew Wyeth
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Framing "Christina's World" by Andrew Wyeth
The frame shop here that we shell the modern art is actually unique.
We do most of the framing for the collections, the exhibitions and traveling exhibitions.
Anything what it is, is the inside.
We have a small woodworking shop, we have seven people working as a depatment but we produce a tremendous amount of work In the case of Christina's World it can be a two - model It has to fit within a certain context.
Automatically, the best frame is the one that doesn't call attention to itself.
The frame has a way of pushing and pulling.
Normally, if you had a landscape, it would be what is called 'a core'.
The frame comes out creating a window into the work. This work is reverse.
The painting comes forward, and the frame goes back.
The third thing I wanted to it was to understand why the frame was not working.
What was it about the frame, that could be improved on.
It was not original to the work.
The framers talk about the frames in terms of weight, not necessarily in terms of look.
The frame could be too light, it could be too heavy.
The frame that it had was a little bit light, a little thinner even though it had a gold end on the inside.
The gilded liner of the frame was actually touching the chimneys of the house Wyeth spent a geat deal of time and effort coming all the way to the edge, so it's important that we see the entire panel. This painting actually is floating.
The little frames in one here here is not damaging or causing any pressure.
Many of the frames that Wyeth selected for his work were painted and he always wanted to pick a colour from the painting and use the colour in the frame.
If the artist does this one thing, the framer shouldn't be doing that.
But I thought it would be a very natural wood and basically said the painting would end the frame as a beautiful little jewel.
The whole frame is made from one single piece of wood, so that the grange is continuous.
We knew from the beginning that we would gonna have a gold bend and decided to put a coat on the inside to separate the gilding.
The next step is to decide on the panel - one element that would justify angle in the panel to the outside is the roof of the house.
Then you have to decide how that panel is going to end.
This is the sort of robbed stuff, it has another angle to the back the frame will appear almost floating on the wall, because when you light it, it's gonna cast the shadow behind it.
After you make the frame, you are thinking about the different stains.
Once you put a stain on the panel, you can't take it off.
And that's why you come in with making as many samples as possible.
You're seeing the exact same piece of wood you can see the difference if you put them next to it.
These are very very minor variations that automatically you don't pay attention to, but in terms of the framing it is rather important and it has a way of affecting how we see a painting.
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We have a small woodworking shop, we have seven people working as a depatment but we produce a tremendous amount of work In the case of Christina's World it can be a two - model It has to fit within a certain context.발음듣기
대기중
The frame that it had was a little bit light, a little thinner even though it had a gold end on the inside.발음듣기
대기중
The gilded liner of the frame was actually touching the chimneys of the house Wyeth spent a geat deal of time and effort coming all the way to the edge, so it's important that we see the entire panel. This painting actually is floating.발음듣기
대기중
Many of the frames that Wyeth selected for his work were painted and he always wanted to pick a colour from the painting and use the colour in the frame.발음듣기
대기중
But I thought it would be a very natural wood and basically said the painting would end the frame as a beautiful little jewel.발음듣기
대기중
We knew from the beginning that we would gonna have a gold bend and decided to put a coat on the inside to separate the gilding.발음듣기
대기중
The next step is to decide on the panel - one element that would justify angle in the panel to the outside is the roof of the house.발음듣기
대기중
This is the sort of robbed stuff, it has another angle to the back the frame will appear almost floating on the wall, because when you light it, it's gonna cast the shadow behind it.발음듣기
대기중
You're seeing the exact same piece of wood you can see the difference if you put them next to it.발음듣기
대기중
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