James Rosenquist, "F-111," 1964-65

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James Rosenquist, "F-111," 1964-65

I painted F1-11 in 1964.

F1-11 was the latest American fighter-bomber in the planning stage.

Its mission seemed obsolete before it was finished.

It seemed the prime force of this war machine was to economically keep people employed in Texas and Long Island.

At the time, I thought people involved in its making were headed for something, but I didn't know what.

By doing this, they could achieve two and half children, three and a half cars, and a house in the suburbs.

In the painting I incorporated orange spaghetti, cake, light bulbs, flowers, and many other things.

It felt to me like a plane flying through the flack of an economy.

The little girl was the pilot under a hairdryer.

The swimmer gulping air was like searching for air during an atomic Holocaust.

I had heard that the Chinese had originally invented income taxes as a donation to start a community.

Now that taxes were in demand, I thought that if I sold this painting the joke would be that the buyer had already bought a real F1-11 with his taxes.

I was concerned with peripheral vision.

I wanted to specify that whatever one looked at would exist because of the peripheral vision that extends from the corner of the eye, thus one would question one's own self-consciousness.

In the 1960's, the painting was critically taken as an anti-war protest, but there were a multiplicity of ideas that caused its existence.

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James Rosenquist, "F-111," 1964-65발음듣기

다른 번역문 등록

I painted F1-11 in 1964.발음듣기

다른 번역문 등록

F1-11 was the latest American fighter-bomber in the planning stage.발음듣기

다른 번역문 등록

Its mission seemed obsolete before it was finished.발음듣기

다른 번역문 등록

It seemed the prime force of this war machine was to economically keep people employed in Texas and Long Island.발음듣기

다른 번역문 등록

At the time, I thought people involved in its making were headed for something, but I didn't know what.발음듣기

다른 번역문 등록

By doing this, they could achieve two and half children, three and a half cars, and a house in the suburbs.발음듣기

다른 번역문 등록

In the painting I incorporated orange spaghetti, cake, light bulbs, flowers, and many other things.발음듣기

다른 번역문 등록

It felt to me like a plane flying through the flack of an economy.발음듣기

다른 번역문 등록

The little girl was the pilot under a hairdryer.발음듣기

다른 번역문 등록

The swimmer gulping air was like searching for air during an atomic Holocaust.발음듣기

다른 번역문 등록

I had heard that the Chinese had originally invented income taxes as a donation to start a community.발음듣기

다른 번역문 등록

Now that taxes were in demand, I thought that if I sold this painting the joke would be that the buyer had already bought a real F1-11 with his taxes.발음듣기

다른 번역문 등록

I was concerned with peripheral vision.발음듣기

다른 번역문 등록

I wanted to specify that whatever one looked at would exist because of the peripheral vision that extends from the corner of the eye, thus one would question one's own self-consciousness.발음듣기

다른 번역문 등록

In the 1960's, the painting was critically taken as an anti-war protest, but there were a multiplicity of ideas that caused its existence.발음듣기

다른 번역문 등록

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