James Rosenquist, "F-111," 1964-65

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James Rosenquist, "F-111," 1964-65발음듣기

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I painted F1-11 in 1964.발음듣기

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F1-11 was the latest American fighter-bomber in the planning stage.발음듣기

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Its mission seemed obsolete before it was finished.발음듣기

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It seemed the prime force of this war machine was to economically keep people employed in Texas and Long Island.발음듣기

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At the time, I thought people involved in its making were headed for something, but I didn't know what.발음듣기

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By doing this, they could achieve two and half children, three and a half cars, and a house in the suburbs.발음듣기

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In the painting I incorporated orange spaghetti, cake, light bulbs, flowers, and many other things.발음듣기

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It felt to me like a plane flying through the flack of an economy.발음듣기

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The little girl was the pilot under a hairdryer.발음듣기

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The swimmer gulping air was like searching for air during an atomic Holocaust.발음듣기

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I had heard that the Chinese had originally invented income taxes as a donation to start a community.발음듣기

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Now that taxes were in demand, I thought that if I sold this painting the joke would be that the buyer had already bought a real F1-11 with his taxes.발음듣기

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I was concerned with peripheral vision.발음듣기

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I wanted to specify that whatever one looked at would exist because of the peripheral vision that extends from the corner of the eye, thus one would question one's own self-consciousness.발음듣기

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In the 1960's, the painting was critically taken as an anti-war protest, but there were a multiplicity of ideas that caused its existence.발음듣기

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