Richard Serra, "Band," 2006발음듣기
대기중
Richard Serra, "Band," 2006
25문장
0%
태국어 번역 0명 참여
출처 : 칸아카데미
Richard Serra, "Band," 2006
The three Serra sculptures in this gallery were conceived and built for this room.
They were brought in through a 40-foot door that opens onto the empty lot next to the Museum and each weighs between 100 and 200 tons.
This one, called Band, snakes horizontally for more than 70 feet.
This piece unfolds its curvature in a new template.
It has nothing to do with any of the pieces that have come before. It's a totally different vocabulary.
What I'd like you to do is walk the entire piece.
You can walk inside and outside continuously if you like and never stop.
There are 4 volumes that move in and out, the piece moves in and out.
There's a shift between inside and outside that seems continuous and there are some spaces, when you go into, you think you've been in before, but you realize you haven't.
You sense that they're similar, but they're all dissimilar.
It's difficult to tell one space from the other.
The entire sheet of steel, as it undulates through the space, changes continuously, and its interior/exterior is continually exchanging.
(announcer) Serra says that the sculpture creates new spaces within the architecture of the room.
(Serra) If this room were empty, it's like a field of space bounded by these walls.
But then when you walk into a piece like this, you're just dealing with sculptural volume, not the volume of the architecture of this room.
(announcer) Serrra worked out Band in a series of inch-to-a-foot-scale lead models.
(Serra) I built Band in models for about 3 years and then I built it in a steel mill, and then I went to look at it.
It was definitely a new experience, and I didn't know what to make of it for a couple of days.
It wasn't a question of quality, I didn't understand the space of it and that surprised me.
(announcer) Finally Serra felt he had a grasp of this sculpture and its newly-created form.
(Serra) I thought it was better than I thought it was.
If you're looking at 40 years of work, you make distinctions, and I think this is as interesting as anything else in the show.
(announcer) Serra was asked if Band would lead him in new directions.
(Serra) I think it already has, yeah.
번역
0%
They were brought in through a 40-foot door that opens onto the empty lot next to the Museum and each weighs between 100 and 200 tons.발음듣기
대기중
It has nothing to do with any of the pieces that have come before. It's a totally different vocabulary.발음듣기
대기중
There's a shift between inside and outside that seems continuous and there are some spaces, when you go into, you think you've been in before, but you realize you haven't.발음듣기
대기중
The entire sheet of steel, as it undulates through the space, changes continuously, and its interior/exterior is continually exchanging.발음듣기
대기중
(announcer) Serra says that the sculpture creates new spaces within the architecture of the room.발음듣기
대기중
But then when you walk into a piece like this, you're just dealing with sculptural volume, not the volume of the architecture of this room.발음듣기
대기중
(Serra) I built Band in models for about 3 years and then I built it in a steel mill, and then I went to look at it.발음듣기
대기중
It was definitely a new experience, and I didn't know what to make of it for a couple of days.발음듣기
대기중
If you're looking at 40 years of work, you make distinctions, and I think this is as interesting as anything else in the show.발음듣기
대기중
칸아카데미 더보기더 보기
-
Harp: Interview and demonstration with princi...
96문장 0%번역 좋아요1
번역하기 -
48문장 0%번역 좋아요0
번역하기 -
26문장 0%번역 좋아요1
번역하기 -
50문장 0%번역 좋아요1
번역하기
