Paul Cézanne, The Red Rock, c. 1895발음듣기
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Paul Cézanne, The Red Rock, c. 1895
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(jazzy music) Male: We're in the l'Orangerie in Paris and we're looking at a late Paul Cezanne, The Red Rock.발음듣기
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You've got this huge abstract shape in the upper right corner, which is an overhanging rock ledge, but it is so unexpected and so weighty and abstract.발음듣기
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Male: It's true, and even as I said weighty, I was thinking we know it's heavy, we know it's massive, but actually in a pictorial sense maybe not so much.발음듣기
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This is a painting where Cezanne has perfected these short stippled brushstrokes, which create this wonderful sense of the buzz of a very hot afternoon.발음듣기
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If you've been in a semiarid environment like the south of France, or maybe the desert in the western United States, you can hear the insects.발음듣기
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Female: Our eye does travel down that path and we can almost feel ourselves walking through the space.발음듣기
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Male: That's right, but then something happens that upends that more traditional recessionary space which is if you look at the curve of the pathway, it starts in the center and it's fairly large.발음듣기
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And then it recedes and gets narrower as our eye moves into space, and bends ever so slightly to the right.발음듣기
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But then you'll notice that there are the same colors that pick up in a similar arc, but now up in the trees.발음듣기
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But optically it plays fast and loose with the recession that we had been comfortable with a moment before.발음듣기
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The violet that makes for those horizontal shadows that you just mentioned is carried up through the landscape.발음듣기
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Male: I think Cezanne is not only questioning the Classical landscape, but I think he's also questioning the Impressionist landscape.발음듣기
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Remember, he had shown in the 1874 Exhibition, and then comes back down to the south of France and begins these series of investigations.발음듣기
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There's just the sense of completely turning all of the traditions of landscape on its head; not necessarily knowing where he's going, by the way.발음듣기
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That sense of density, that focus on the paint itself on the surface and on the two-dimensionality of the canvas, seems to me irrefutable.발음듣기
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Look, for instance, at the center where those warm, rich orange ochres are rising up and the way in which they're overlaid by the greens and those black purples.발음듣기
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