Morisot, The Mother and Sister of the Artist발음듣기
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Morisot, The Mother and Sister of the Artist
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출처 : 칸아카데미
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We're looking at a really fantastic canvas by Bert Morisot, one of the great impressionist painters, a woman who was not the only painter involved in this canvas.발음듣기
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Dr. Harris: Apparently not, apparently Manet, who was her brother-in-law, came over one day and felt quite at liberty to paint over areas of the canvas.발음듣기
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Dr. Harris: Of course, typically for a woman impressionist artist, we have an interior domestic scene.발음듣기
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Dr. Harris: It would have been very difficult for a woman artist at this time, unlike her male counterparts to be in bars painting some cabaret scenes Dr. Zucker: Absolutely inappropriate ...발음듣기
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Dr. Harris: Exactly, so get these interior scenes and people who are her family as her models.발음듣기
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Dr. Zucker: The women are doing what women would be expected to spend their time doing, Dr. Harris: Embroidery, right.발음듣기
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Dr. Harris: The woman in the foreground, her mother, it looks as though she's in mourning in this black dress.발음듣기
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Not that I think the painting is about mourning or anything, it's clearly of a modern Parisian interior, but it's hard not to see something about women's domestic life here and the sense of entrapment, at least for me, as a viewer in the early 21st Century.발음듣기
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Dr. Zucker: That sense is heightened by the fact that it's painted by the younger woman's sister who's in a sense trying to find a way out and is confronting all of those expectations and what that means, which I think is an enormously complex and difficult path for her to have taken.발음듣기
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Dr. Harris: Actually, if I remember correctly, both Bert and her sister took painting lessons.발음듣기
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It was only Bert who went on to pursue art as a career and her sister who got married and had children.발음듣기
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The canvas itself is beautifully handled, incredibly lush, and there's a kind of openness and a kind of willingness to risk Dr. Harris: Yeah.발음듣기
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Dr. Zucker: ... four to five years before the first impressionist exhibition and already we see an artist who is really fulfilling some of the most important aspects Dr. Harris: Of the impressionist moment.발음듣기
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I don't want to say fulfilling, but I want to say actually, in a sense, leading that charge.발음듣기
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If you look at the negative space on the lower left that it's just inside the leg of the table, it's just this beautiful, purely abstract form.발음듣기
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Her willingness to use grey's, her attention to the tone here is really quite extraordinary.발음듣기
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Dr. Zucker: I have to say that when I look at Morisot's, I am almost always overwhelmed by her bravery.발음듣기
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Dr. Zucker: Not only because of what she was accomplishing as a woman, but literally just because of the way in which she is willing to handle her paint.발음듣기
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