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Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538

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Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538발음듣기

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(piano music) Male: Historically paintings were often made for specific purposes in the world.발음듣기

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Female: Very specific.발음듣기

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In this case we're looking at Holbein's Christina of Denmark, Duchess of Milan from 1538.발음듣기

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This was commissioned by King Henry VIII.발음듣기

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Male: Think about Henry's world for a moment.발음듣기

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A world long before photography.발음듣기

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When images were still fairly rare.발음듣기

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He wanted to know what this young woman looked like.발음듣기

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She lived in Brussels and he lived London. He didn't want to go.발음듣기

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Female: He wanted to know what she looked like, because he was considering marring her.발음듣기

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His third wife had just died, Jane Seymour. He was on a lookout for a new wife among the nobility of Europe.발음듣기

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Male: She would have been an especially catch.발음듣기

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She was the niece of the Holy Roman Emperor.발음듣기

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That would have benefited him by creating of alliance.발음듣기

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Female: That's right, of course, all marriages for people of that status in society had political purposes.발음듣기

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Male: Nevertheless, Henry still wanted to know what she looked like.발음듣기

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He sent his court painter Holbein to Brussels to paint her.발음듣기

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Apparently, she sat for him three hours.발음듣기

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Female: During that time he did drawings.발음듣기

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Male: The painting was made back in London when he returned.발음듣기

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Female: The story is he came with the drawings and showed them to the king, and the king thought she looked beautiful, and apparently kissed the drawings.발음듣기

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Male: Importantly, he kept the painting even though the marriage was never actually arranged.발음듣기

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Female: The marriage fell through for political reasons.발음듣기

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Male: She was only 16 and, interestingly, she wears the gown of a woman in mourning.발음듣기

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In fact, she had already been married.발음듣기

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She was married at age 11, although she never lived with her husband.발음듣기

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He was the duke of Milan.발음듣기

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Female: That accounts for her black dress, and the spareness of the image.발음듣기

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She stands in front of this turquoises-green background, and she cast a shadow behind her.발음듣기

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Male: She does cut a very elegant silhouette.발음듣기

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Female: She's elongated, but she's a little bit off center just a little bit to the left of the image.발음듣기

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You can see more of her flowing, black, mourning dress and robe just to the right on the floor below her.발음듣기

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Male: But it doesn't feel off center because of the shadow line on the right.발음듣기

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It's off perhaps she's standing.발음듣기

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Henry may have wanted to know tall she was.발음듣기

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The length of her body is emphasized by linear quality especially the fur lining of her coat.발음듣기

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Female: The emphasis and contour and line around her face.발음듣기

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The line around her eyebrows and down to her nose.발음듣기

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The contours of her lips.발음듣기

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Male: I'm, actually, really taken by the hands, which are beautiful and elegant.발음듣기

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The simplification of the elegance of those hands perhaps because of the gloves that she wears, and the sleeve that she wears with that very fine ruffle.발음듣기