Ingres, La Grande Odalisque발음듣기
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Ingres, La Grande Odalisque
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(piano music) Male: We're at the Musee du Louvre, and we're looking at Ingres' "Grande Odalisque."발음듣기
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Ingres was hired to paint it by the sister of Napoleon, who, at that time, was married to the king of Naples.발음듣기
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What's also interesting is that by the time Ingres finished the painting and delivered it, well, they were gone.발음듣기
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Now of course, Ingres had never been in a harem, and so this is very much a Western idea of what a harem would be like.발음듣기
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Male: OK, so I think that's really important because historically, this is completely inaccurate.발음듣기
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Male: But it is very much a 19th century French construction of what they imagined that luxury-laden, sensuous, and distant experience was.발음듣기
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France, of course, was a colonial power in that part of the world, and some art historians have written that in some ways, these sorts of paintings were a justification for France in that part of the world.발음듣기
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Male: And therefore having a moral right to civilize, so it is very imperialist in its thinking.발음듣기
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Female: But at the same time, as we're saying that, we have to imagine the Parisians in 1819 taking pleasure in looking at this odalisque.발음듣기
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Male: Quite a bit of pleasure, and we see the same pleasure in the viewers in the Louvre right now.발음듣기
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It is this voluptuous and very sensuous expression of the human body, one that is heightened because although Ingres comes out of the Neo-Classical tradition, was a student of David's.발음듣기
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He is also this important bridge to Romanticism, but in this particular rendering, Ingres has taken the fidelity to anatomy as secondary.발음듣기
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If one imagines where that leg would connect with the hip, it doesn't quite work in relationship to the other hip.발음듣기
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And so there is a languidness that he is able to achieve that would be impossible with a kind of anatomical accuracy.발음듣기
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Female: And there is a kind of tension, I think, between sensuality and a distance that Ingres puts between us and the figure.발음듣기
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We do see her back, but she turns back towards us, but that look is an icy, aloof, and distant look.발음듣기
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Female: The other thing is that the sensuality of the interior, in some ways, really competes, at least for me, with the nude female figure.발음듣기
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If you look at the composition, the frame is actually quite long, like her body is, but she almost doesn't fit.발음듣기
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Female: So we see in this odalisque an image that is very much what we would consider Romanticism, an interest in the exotic ...발음듣기
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Although he seems to be the standard-bearer for the academic tradition, he doesn't really uphold that 100% in his work.발음듣기
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Male: It's interesting because he comes out of the Neo-classical, and he's got that precision and that sense of the morality of painting, but then ...발음듣기
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