Bellini and Titian, the Feast of the Gods발음듣기
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Bellini and Titian, the Feast of the Gods
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(jazz music) Dr. Zucker: We're in the National Gallery in Washington, DC and we're looking at one of their great canvasses.발음듣기
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It's the Feast of the Gods and there are actually three painters involved here, two principle.발음듣기
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The main artist is Giovanni Bellini, the Venetian and then ultimately, his student Titian, who was one of the really great Renaissance masters.발음듣기
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Dr. Harris: Right, so this is commissioned at the highest levels of the aristocracy in Venice.발음듣기
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Dr. Zucker: But this was not a public commission, this was for his study, which is to say it was allowed to have a kind of private subject matter, which is a kind of playful sexuality, really.발음듣기
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Dr. Zucker: Saters. Bacchus, interestingly enough, is the young child on the lower left in blue.발음듣기
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Dr. Zucker: Yeah, that's a result of this privileged place between Italy, between the Florentine tradition on one hand-발음듣기
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Dr. Harris: On the north and of course it's oil painting, because the colors could not have been so saturated - Dr. Zucker: If it was tempera.발음듣기
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Dr. Harris: Although they do kind of form this friese along the single plane, it looks very classical to me, like a classical relief sculpture,발음듣기
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but it's an incredibly complex composition with 18 or so figures who are all in various positions and there's a kind of - The figures are interrelated and there's nothing stiff about the composition.발음듣기
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This is really leading into what I consider the style of the high Renaissance, where the figures have a kind of fluidity and grace.발음듣기
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Dr. Harris: I love that the sunlight coming through looks like this part of the landscape that Bellini painted of the trees, these vertical trees, and that yellow orange and blue sunlight coming through.발음듣기
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Dr. Harris: Then you can imagine the Duke in his study, looking at these gods, these Olympian gods enjoying the pleasures of earthly life.발음듣기
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