Unlock Art: Where are the Women?발음듣기
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Unlock Art: Where are the Women?
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In 1985 they fly-posted Manhattan in protest at the lack of women in exhibition at the Museum of Modern Art.발음듣기
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There have always been women who are artists, but it was men who wrote the history books and somehow they just forgot to mention them.발음듣기
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During the Renaissance women were encouraged to paint as it was seen as desirable for women to be accomplished in the arts.발음듣기
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In fact, by the 18th century women were allowed to paint all that they wanted just so long as they embodied feminine traits like beauty, grace and modesty and their paintings were beautiful, gracious and modest too.발음듣기
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As one critic said 'so long as a woman remains from unsexing herself, let her dabble in anything.'발음듣기
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But women had this burning despite to be taken seriously, which is ridiculous because everyone knows that women have weak hands so can't paint or sculpt properly.발음듣기
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The 17th century artist Judith Leyster worked at the same time as the Dutch master Frans Hals.발음듣기
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but because she was a woman she disappeared into obscurity after her death and only re-emerged when it was discovered that seven of her paintings had been wrongly attributed to Frans Hals including this one, in the Louvre.발음듣기
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Some female artists adopted male names, like Claude Cahun and Grace Hartigan, who signed her works 'George.'발음듣기
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Here she is labouring under the weight of constantly being referred to as Mrs. Jackson Pollock.발음듣기
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Some female artists chose to work as models to support their career and to learn from their male contemporaries.발음듣기
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Men had largely ignored these mediums because they considered them to be secondary to painting and sculpture.발음듣기
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For similar reasons they embraced new materials and new media like photography and video and became innovators in performance and installation.발음듣기
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Yet they were still underrepresented. By 1970, tired of being patronised, ignored and disregarded some women decided to take on the establishment.발음듣기
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In 1971 Margaret Harrison's drawings became the first feminist art exhibition in London but the cops shut it down.발음듣기
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I think he's in here. I never really got to the bottom of it, but it was thought of being too pornographic.발음듣기
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Now, they didn't mind the women in the sandwiches what they did mind was why I altered the male body.발음듣기
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When the Gallery Director said well, what don't you like about it? to this policeman he said well, it was the way she treated the men, we thought that was disgusting!발음듣기
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In the US art historians Linda Nochlin and Ann Sutherland Harris staged a show called Women Artists: 1550 to 1950, which inspired revisionist debates about the history of art because this is a problem for art historians.발음듣기
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Do they simply go back in time and just insert these female artists into the pages of art history?발음듣기
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But that only marginalises, pigeon-holes and isolates these artists from the movements, influences and errors that they have been a part of.발음듣기
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This is still a hotly debated issue and has led to a radical re-thinking of the way the history of art is presented.발음듣기
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