Alma-Tadema, Listening to Homer

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Alma-Tadema, Listening to Homer발음듣기

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(jazzy music) Male: I am there. I'm sitting on the cool marble. I'm listening. I'm rapt.발음듣기

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Female: I want to be there!발음듣기

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Male: (chuckles) So do I!발음듣기

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Female: Alma-Tadema has captured the beautiful light and the sea and this fabulously cool marble on this lovely summer day.발음듣기

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Who doesn't want to be there?발음듣기

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Male: What an incredible fantasy.발음듣기

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Look at that marble, the way the light moves through that stone.발음듣기

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If you look under the seat you can actually see the intense sunlight warming that marble and you can feel its crispness, you can feel the edge as you're sitting there.발음듣기

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Female: Alma-Tadema, and we're looking at his painting, A Reading from Homer from 1885, was a master at capturing textures; 발음듣기

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not just the marble but also the fur that the figure wears in the foreground.발음듣기

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Male: Or the flesh. Look at his feet.발음듣기

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Female: He could really paint.발음듣기

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The figure on the right, who's crowned with laurel leaves much like an ancient발음듣기

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Greek god, is reading from Homer.발음듣기

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He's clearly acting it out in a dramatic way that has his listeners transported to mythic, Homeric Greece.발음듣기

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Male: As the young orator is recalling mythic Greece and transporting his listeners, Alma-Tadema, the artist, is transporting his viewers, is transporting us, and transporting the Victorians for whom this was made.발음듣기

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Female: They've put down their musical instruments.발음듣기

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They look as though they're seeing past him and they're in their own imaginations.발음듣기

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Male: Look at the way that the young couples' hands intertwine.발음듣기

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It's so delicate and so graceful.발음듣기

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Female: Their hands were clasped, but they're so taken with the story that's being told that they're almost forgetting that their hands are entwined.발음듣기

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Male: Here's an academic artist that is truly a brilliant technician, that is truly a brilliant craftsman.발음듣기

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Here's an artist who was enormously successful professionally, and whose paintings won not only numerous awards but fetched very high prices.발음듣기

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Yet this is also an artist who the 20th century looked down on.발음듣기

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Female: An art historian said that Alma-Tadema was, in the highest sense, a superficial artist.발음듣기

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That's because I think Alma-Tadema was very much giving the Victorians an art which flattered them, which made them feel good.발음듣기

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In the 20th century, we value art that challenges us, not that flatters us.발음듣기

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It's interesting to think about how this flattered the Victorian audience that it was made for.발음듣기

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Male: I would imagine that the Victorians themselves looked back to ancient Greece as a source of their greatness;발음듣기

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that they were, in some ways, an inheritor of the way in which the Greeks had privileged culture, had privileged the arts.발음듣기

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Female: That's right, and I would add ancient Greece and ancient Rome.발음듣기

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Any Victorian looking at this painting would have identified with watching a reading or a theater performance and thinking about their own appreciation for the arts.발음듣기

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Male: This was a moment in history when Britain is an empire and it is collecting works of art and works of culture from around the world, and especially from Greece.발음듣기

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The Elgan marbles, the great sculptures of the Parthenon are brought to London and put on display.발음듣기

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In a sense, what Alma-Tadema is doing is bringing those marbles back to life.발음듣기

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Female: Instead of showing us the ancient발음듣기

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Athenians involved in some kind of heroic battle, we see them at a moment of leisure appreciating the arts.발음듣기

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Everyone wants to be the heir to ancient Greece and ancient Rome, and the Victorian empire was no different.발음듣기

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Male: It's naturalism, it's realism is so high pitched that it is absolutely believable, and yet it is in so many ways much more a reflection of the 19th century than it is of the 5th century B.C. (jazzy music)발음듣기

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