Elephant Mask, Kuosi Society, Bamileke Peoples, Cameroon

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Elephant Mask, Kuosi Society, Bamileke Peoples, Cameroon

(jazzy piano music) [Voiceover] We're in the Brooklyn Museum looking at this magnificent beaded mask.

[Voiceover] This mask is covered in beads.

It was danced by the members of the Elephant Society, the Kuosi Society, in the Bamileke kingdom of Cameroon.

[Voiceover] Cameroon is a country in central Africa but we're seeing this object hermetically sealed within plexiglass,

in a museum, completely divorced from the way that it would have been used and understood. in its original context.

[Voiceover] This was a masquerade, which involved not just a mask,

but a costume, performers musicians and attendants to bring this mask to life to do what it was really supposed to do in terms of honoring the king and bringing about social harmony.

[Voiceover] So we should not be seeing it frozen, hung as if it was just a piece of cloth.

[Voiceover] This object was obviously collected and has now a second life in this museum space.

It's very hard for us to recontextualize it's original use but we know from photographs that the Bamileke Society would wear these with a red feather head dress, a leopard skin pelt and a full body costume.

The leopard and the elephant were symbols of rule and powerful symbols for the Fon.

The Fon was a divine king who could transform into the elephant and the leopard was thought to be an animal that could transform into a human,

so we have that connection between divine rule and the essence of these powerful animals.

[Voiceover] So the Bamileke that would have worn this would have been court officials, titleholders, warriors people that held themselves great power and in their association with the leopard and with the elephant would have expressed the power of the king,

and in a sense the political stability of that hierarchical order.

[Voiceover] The Bamileke king, the Fon, allowed this society and only this one to dance the elephant mask and to wear leopard skin.

They were entrusted with these symbols of authority and power.

The main form in this beaded piece is the isosceles triangle, which relates to the patterning on the body of the leopard.

[Voiceover] Highly stylized though as the entire mask is it's dazzling, and it has a kind of optical quality that is full of energy and dynamism.

[Voiceover] And imagine when it's worn and danced and performed, it would be incredibly dynamic with all of these various materials and colors and shapes all brought together to suggest the power of that king.

[Voiceover] And in Cameroon today the Bamileke still perform this ritual, now annually but instead of warriors performing it these are powerful members of the society. (jazzy piano music)

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Elephant Mask, Kuosi Society, Bamileke Peoples, Cameroon발음듣기

다른 번역문 등록

(jazzy piano music) [Voiceover] We're in the Brooklyn Museum looking at this magnificent beaded mask.발음듣기

다른 번역문 등록

[Voiceover] This mask is covered in beads.발음듣기

다른 번역문 등록

It was danced by the members of the Elephant Society, the Kuosi Society, in the Bamileke kingdom of Cameroon.발음듣기

다른 번역문 등록

[Voiceover] Cameroon is a country in central Africa but we're seeing this object hermetically sealed within plexiglass, 발음듣기

다른 번역문 등록

in a museum, completely divorced from the way that it would have been used and understood. in its original context.발음듣기

다른 번역문 등록

[Voiceover] This was a masquerade, which involved not just a mask,발음듣기

다른 번역문 등록

but a costume, performers musicians and attendants to bring this mask to life to do what it was really supposed to do in terms of honoring the king and bringing about social harmony.발음듣기

다른 번역문 등록

[Voiceover] So we should not be seeing it frozen, hung as if it was just a piece of cloth.발음듣기

다른 번역문 등록

[Voiceover] This object was obviously collected and has now a second life in this museum space.발음듣기

다른 번역문 등록

It's very hard for us to recontextualize it's original use but we know from photographs that the Bamileke Society would wear these with a red feather head dress, a leopard skin pelt and a full body costume.발음듣기

다른 번역문 등록

The leopard and the elephant were symbols of rule and powerful symbols for the Fon.발음듣기

다른 번역문 등록

The Fon was a divine king who could transform into the elephant and the leopard was thought to be an animal that could transform into a human,발음듣기

다른 번역문 등록

so we have that connection between divine rule and the essence of these powerful animals.발음듣기

다른 번역문 등록

[Voiceover] So the Bamileke that would have worn this would have been court officials, titleholders, warriors people that held themselves great power and in their association with the leopard and with the elephant would have expressed the power of the king, 발음듣기

다른 번역문 등록

and in a sense the political stability of that hierarchical order.발음듣기

다른 번역문 등록

[Voiceover] The Bamileke king, the Fon, allowed this society and only this one to dance the elephant mask and to wear leopard skin.발음듣기

다른 번역문 등록

They were entrusted with these symbols of authority and power.발음듣기

다른 번역문 등록

The main form in this beaded piece is the isosceles triangle, which relates to the patterning on the body of the leopard.발음듣기

다른 번역문 등록

[Voiceover] Highly stylized though as the entire mask is it's dazzling, and it has a kind of optical quality that is full of energy and dynamism.발음듣기

다른 번역문 등록

[Voiceover] And imagine when it's worn and danced and performed, it would be incredibly dynamic with all of these various materials and colors and shapes all brought together to suggest the power of that king.발음듣기

다른 번역문 등록

[Voiceover] And in Cameroon today the Bamileke still perform this ritual, now annually but instead of warriors performing it these are powerful members of the society. (jazzy piano music) 발음듣기

다른 번역문 등록

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