Myron, Discobolus (Discus Thrower), Roman copy of an ancient Greek bronze발음듣기
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Myron, Discobolus (Discus Thrower), Roman copy of an ancient Greek bronze
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In fact, there's one next to the other in this museum, a testament to how popular these were among the Romans.발음듣기
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His left leg, the toes are bent under, dragging slightly, and he's about to throw that discus.발음듣기
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This is a moment of tremendous tension, but it's also this moment stasis, of stillness, right before the action.발음듣기
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SPEAKER 2: Athletes and art historians have debated whether this is even an actual pose that the discus thrower takes in the process.발음듣기
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SPEAKER 1: It's so interesting, because when we think back about the history of the Greek figure, we think first of the Archaic Kouros, who is so stiff and so stylized.발음듣기
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And then we have the tremendous breakthroughs of people like Polykleitos who developed an understanding of the body, and showed in a contrapposto.발음듣기
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But here we have something that's so dynamic, and so complex, I mean just look at the arc of the shoulders and the arms, and the way that they reverse the arc of the twist of the hips.발음듣기
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SPEAKER 2: That is the overriding concern of Myron, the sculptor, to capture the aesthetic qualities here.발음듣기
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SPEAKER 2: If you think about a figure from much later, but in a similar pose of movement, of athletic energy, like Bernini's "David."발음듣기
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And it reminds me of the consistency with which the Greeks always maintain their nobility, even in battle, even in terrible situations with monsters.발음듣기
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SPEAKER 2: Right, that nobility, that calm in the face, is a sign of a nobility of the human being.발음듣기
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Why would you cover up the beauty of the body in sport, which is, of course, a celebration of what the human body can achieve.발음듣기
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This is really a way to remind ourselves of the Greeks concern with the potential of humanity, the potential of the mind, and the potential of the body.발음듣기
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SPEAKER 2: Taking that extra step to become even more ideal, more heroic, more noble, than even the finest athlete.발음듣기
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