Room: 1650-1730발음듣기
Room: 1650-1730
We’re now in the second room of the walk through British art, covering the period of 1650 to around 1730 a period of dramatic change.발음듣기
Of the restoration of the monarch in 1660, the plague, fire, a glorious revolution and the creation of the United Kingdom in 1707.발음듣기
The earlier period of British art is really dominated by portraiture and it's during the restoration period that we have the introduction of new genres.발음듣기
Genres such as landscape painting arrive in Britain during this period through the activities of incoming artists from the Netherlands and the low countries.발음듣기
Other genres, such as still life were also produced as well as decorative interior painting and the introduction of the conversation piece.발음듣기
Landscape painting is considered a quintessentially English, or British, genre of painting but it is in fact introduced into Britain in this period through artists such as Jan Siberechts who arrives from Antwerp in the 1670s, the founding father of British landscape painting.발음듣기
Siberechts concentrated in views of country house scenes and country house portraits birds-eye views of the English landscape.발음듣기
This painting shows the country house and estate of an English banker and goldsmith called John Coggs.발음듣기
Her husband Charles primed the canvases, mixed the pigments and took care of all the accounts.발음듣기
This painting of a young girl was an attempt to paint quickly and to paint in a fashion that would be all in one go and dry quickly and be a resolved picture.발음듣기
The attempt didn’t quite work and we can see from the painting here that she had to go back and retouch the painting.발음듣기
We don’t know if they were produced as studies for a larger, more finished, painting or if they were just simply studies for her own pleasure.발음듣기
The two paintings emerged on the French art market fairly recently and were previously unknown.발음듣기
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