Fragonard, The Meeting발음듣기
대기중
Fragonard, The Meeting
68문장
0% 일본어
번역 0명 참여
출처 : 칸아카데미
번역
0%
(lively music) [Dr. Zucker] [unintelligible] take paintings out of context and it's sometimes hard to remember that works of art were meant for domestic environments.발음듣기
대기중
[Dr. Harris] Or churches or even in the case of the paintings that we're looking at now, Pleasure Pavilions.발음듣기
대기중
[Dr. Zucker] We're in the Fragonard room at the Frick Collection and we're looking at one of the late Rococo masterpieces.발음듣기
대기중
[Dr. Harris] And then in the last scene, the two lovers nostalgically looking at their early love letters together.발음듣기
대기중
When we walk up to the meeting, the second panel of the series, you realize how large it is.발음듣기
대기중
[Dr. Zucker] That's important because the window would have looked out onto the back of the pavilion onto the garden.발음듣기
대기중
[Dr. Zucker] Overflowing, yeah, representation of nature, would've had a nice parallel to the landscape outside.발음듣기
대기중
[Dr. Zucker] One art historian suggested that the pose of the young woman is coming directly out of 18th century theater at this moment.발음듣기
대기중
[Dr. Harris] Their bodies leaned toward one another and formed a pyramid that leads our eye up to the figure of Cupid and Venus.발음듣기
대기중
[Dr. Harris] Her pose mirrors the trees behind her that leaned up in toward the right side of the canvas.발음듣기
대기중
We referred a moment ago that the foliage mirroring the garden outside and that's the thing that I love so much about Fragonard.발음듣기
대기중
One has to do with the fact that the architecture of the pavilion was decidedly classical by an Architect named Ledoux and that these Rococo paintings wouldn't have fit within the classically inspired architecture and the classically inspired sculpture.발음듣기
대기중
So, Madame du Barry hires instead an artist who painted in a more classical style named Vien.발음듣기
대기중
These are not paintings that are about moral goods, the noblement of society or of the individual.발음듣기
대기중
[Dr. Harris] It was precisely paintings about indulgence and pleasure that the philosophers of the enlightment attacked and associated with the corruption of the aristocracy and the monarchy.발음듣기
대기중
[Dr. Zucker] These paintings about love and pleasure, were meant to be situated in the Pleasure Pavilion [Dr. Harris] (laughs)발음듣기
대기중
[Dr. Harris] And everything that the revolution would fight against and everything that the new style of Neoclassicism would reject.발음듣기
대기중
Another possible reason that these panels were rejected, has to do with the protagonists and the way, they're depicted.발음듣기
대기중
Some art historians have suggested that the young woman, perhaps looked a little bit too much like Madame du Barry and that the young male lover, may have looked a little bit too much like Louis XV.발음듣기
대기중
[Dr. Harris] Now, when Madame du Barry rejected these paintings and sent them back to Fragonard, he was never paid.발음듣기
대기중
He later added 10 other panels and all of them fortunately, can be seen here together at the Frick Collection.발음듣기
대기중
It's interesting to think about Fragonard coming at this later moment of the Rococo and the imminence of the revolution.발음듣기
대기중
David will protect Fragonard during the revolution and find him a post within the Arts Administration.발음듣기
대기중
칸아카데미 더보기더 보기
-
Listening to the Medieval book
50문장 0%번역 좋아요1
번역하기 -
Independence movements in the 20th Century
71문장 0%번역 좋아요1
번역하기 -
31문장 0%번역 좋아요0
번역하기 -
Ernst Ludwig Kirchner, "Street, Berlin"
10문장 0%번역 좋아요3
번역하기
