Donald Judd, Untitled

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Donald Judd, Untitled발음듣기

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[MUSIC PLAYING] [SPEAKER 1] We're looking at a sculpture that, in many ways doesn't really seem to be-발음듣기

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[SPEAKER 1] A sculpture.발음듣기

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[SPEAKER 1] Right.발음듣기

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[SPEAKER 2] It's not free standing.발음듣기

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[SPEAKER 1] It's not.발음듣기

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It's more like a relief.발음듣기

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[SPEAKER 2] But it's not really a relief.발음듣기

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[SPEAKER 1] Not really, because there's no background it's attached to.발음듣기

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[SPEAKER 2] And they're isolated units, all the same.발음듣기

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[SPEAKER 1] That's right.발음듣기

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This is a work by Donald Judd, and it's a piece of minimalist sculpture, and it was done in 1969, and it's an untitled work.발음듣기

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He would have had the exact same form replicated over and over again.발음듣기

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So each one of those boxes that you see there were not made by him, and it was also made in a factory.발음듣기

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So it has a kind of a machine-made aesthetic to it.발음듣기

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[SPEAKER 2] It somehow seems like it's made to, sort of, interact in the space of a gallery.발음듣기

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[SPEAKER 1] Absolutely.발음듣기

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In fact, he's very specific in giving instructions on how to hang this, how to attach it to the wall.발음듣기

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That each one be spaced 6 inches apart.발음듣기

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And usually, the first time it was made, it was supposed to be evenly spaced all the way to the ceiling.발음듣기

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So it would be somewhat dictated by the height by the normal height of the ceiling.발음듣기

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Of course, that would change depending on what space you're hanging it.발음듣기

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[SPEAKER 2] But this one doesn't do that.발음듣기

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[SPEAKER 1] I think that's because the photograph that you're looking at, in particular.발음듣기

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[SPEAKER 2] It's made of something that has a reflective surface.발음듣기

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[SPEAKER 1] High sheen to it, the outside of it is brass and then, it's difficult to see here, but there are plexi kind of Windows that are the tops of each one of these boxes.발음듣기

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So you can see through it.발음듣기

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And sometimes, depending on which piece it is, they're intensely colored like pink or kind of a yellowish color or translucent.발음듣기

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So it interacts with the space and creates a kind of a shadow and coloristic effect on the wall, the blank wall of the gallery.발음듣기

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[SPEAKER 2] So should we be thinking back here to sculptures made of bronze?발음듣기

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[SPEAKER 1] I think so, but also the negation of that.발음듣기

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One of the things that Judd and other minimalists are trying to do are to be of their time.발음듣기

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So there's that whole tradition that he's continuing of modern art, you know, where you choose the materials and the themes of your own time.발음듣기

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And here, to choose something that is brass, which can be used in older art, but to make it look like it's sheet metal, something that comes out of a factory.발음듣기

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And in fact, is not made by him, but made by other workers, is very important, and the plexi is an altogether new material.발음듣기

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[SPEAKER 2] So it really speaks to our factory, industrial culture.발음듣기

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[SPEAKER 1] Exactly, and it is what it is.발음듣기

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It doesn't disguise itself.발음듣기

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He's very explicit about not trying to make illusionistic art.발음듣기

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So he doesn't want to make a sculpture look like a person or a space that isn't there.발음듣기

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And so they're clearly boxes and the plexi allows you to see that they're not solid.발음듣기

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So there's a clarity and a literal quality that he wants to bring out.발음듣기

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[SPEAKER 2] And it also reminds me of skyscraper, other kinds of modernist forms.발음듣기

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[SPEAKER 1] Right and does evoke that and just the sheer replication of the same form over and over again.발음듣기

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[SPEAKER 2] Very modern.발음듣기

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[SPEAKER 1] It suggests machine production and one thing being.발음듣기

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[SPEAKER 1] Going shopping and seeing everything the same in the grocery store.발음듣기

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[SPEAKER 1] Exactly.발음듣기

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[SPEAKER 2] 900 versions of the same thing.발음듣기

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[SPEAKER 1] Right.발음듣기

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Kind of a product-like quality to it.발음듣기

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It's easy to see how the clean qualities of it, the shininess of it, and also the plexi.발음듣기

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Maybe at first glance, it seems oversimplified, but on further scrutiny, there's a lot of color and reflection and light at play. [MUSIC PLAYING]발음듣기

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