Making Green: Tempera versus Oil | National Gallery, London

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Making Green: Tempera versus Oil | National Gallery, London발음듣기

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The appearance of a painted colour depends partly on the pigment, but also on the ingredients used to bind the paint together.발음듣기

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Pigments mixed with oil produce a glossy finish.발음듣기

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Pigments mixed with egg yolk, to make egg tempera paint, will have a flatter, matt appearance.발음듣기

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Pigments made from mineral clays, known as green earths, bound in egg tempera, were used by Italian artists from the 13-15th centuries as a base colour for flesh.발음듣기

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These greens were used to suggest shadows, and model the shape of the face.발음듣기

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Pinks, reds and white highlights were added on top. 발음듣기

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Tempera dries so quickly, that different colors can't be easily blended on the painting surface.발음듣기

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So artists used delicate hatching when applying the different colors.발음듣기

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The very green skin tone of many Renaissance faces may be due to the layers of pink paint having faded, revealing more of the base layer than was intended.발음듣기

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With oil paint, the pigment is bound in certain kinds of oil, often linseed or walnut, that dry to form a tough film.발음듣기

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Jan van Eyck was particularly famous for his skill at working in oil.발음듣기

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Oil paint dries slowly and so can be manipulated on the picture surface. Some pigments are opaque, others can be used to make a translucent 'glaze'.발음듣기

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Glazes can be built up in layers to produce a deep, glossy colour that can imitate gleaming satins, costly wool, velvet and rich silk damask.발음듣기

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