Gentileschi, Judith and Holofernes발음듣기
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Gentileschi, Judith and Holofernes
45문장
100% 한국어
번역 13명 참여
출처 : 칸아카데미
번역
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(jazzy piano) Zucker: We're in the Uffizi in Florence looking at a large Baroque painting by the artist Artemisia Gentileschi.발음듣기
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Harris: This is the painting that's most often reproduced by Artemisia, the subject is Judith and Holofernes.발음듣기
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Harris: It's the story of a heroic woman and of course, that is always a handy thing when you're an art historian and you're talking about a woman artist.발음듣기
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In fact, it's difficult often with women artists not to read their biography into the paintings.발음듣기
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This very shadowed background that creates this very shallow space and then the brilliantly highlighted figures in the foreground.발음듣기
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So the story is that Judith is a Jewish widow from the town of Bethulia, which is under siege by the Assyrian army.발음듣기
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Zucker: She dresses herself up to catch the eye of the Assyrian general and is able to move across enemy lines because she's seen as betraying her own town.발음듣기
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This story is usually interpreted that she seduces the general, but he gets drunk and falls asleep.발음듣기
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Artemisia also painted the next moment of the story, which is after the beheading, they take the head, put it in a bag and bring it back to Bethulia to show everyone in the town that they're now safe.발음듣기
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Zucker: The maid is pressing down on Holofernes with all of her might and he seems to be fighting back as best he can in his drunken, half-asleep state.발음듣기
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But Judith is at that moment severing his head and blood spurts everywhere, this is tremendously violent.발음듣기
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Harris: She grasps the beard and the hair on his head and holds his head down and with her right arm, draws that sword through his neck.발음듣기
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This is very different from Caravaggio's version of the subject where Judith looks very dainty and as though she doesn't really have the strength to behead Holofernes.발음듣기
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Look at the size of Holofernes' fist against the maidservant's face and just how powerful he is versus the scale of the woman.발음듣기
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Zucker: Notice the way that both of the women's arms are fully extended, whereas Holofernes' arm breaks at the elbow.발음듣기
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His leg breaks at the knee so we have the sense of dismemberment that is not only at the head, but also at his other limbs.발음듣기
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But all of those limbs bringing our attention down to the severing, down to the violent act itself.발음듣기
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Harris: We have this dramatic contrast of light and dark that we also see very oft in Baroque art.발음듣기
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