Bruegel, Hunters in the Snow (Winter)발음듣기
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Bruegel, Hunters in the Snow (Winter)
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It's this wonderful panel painting from the Renaissance, from Flanders, made for a merchant in Antwerp that had asked Bruegel to make six panel paintings, which were study of the labors of the months.발음듣기
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This is perhaps the very first time in the history of painting where that idea has been brought to this larger scale.발음듣기
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We see some hunters returning from their hunt with their dogs, but they haven't got very much to show for their day out hunting.발음듣기
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Male: If you look closely, you can see a rabbit just hanging off the back of one of the hunters, but it is a pretty meager catch.발음듣기
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But as our eye moves down the hill, and it moves down pretty fast, there's almost no middle ground, all of a sudden we're down in this icy pond.발음듣기
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Female: We're not just looking at a lovely landscape, but a landscape that is given meaning by the activities of the people that inhabit it, by their daily routines.발음듣기
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Male: In fact, that idea is an ancient one, and comes from Virgil, Bruegel's patron may well have been thinking about Virgil when he commissioned this series, this notion of painting a landscape that is given meaning by the labors of the people within it.발음듣기
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Although the image seems as if it is a moment in time, in fact the painting is carefully composed.발음듣기
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Our eye follows the hunters down the hill, which is given a wonderful visual rhythm by those trees, and then my eye wants to ride down to that frozen pond where we see a woman pulling somebody else on a little sleigh.발음듣기
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We see people pulling each other on the ice, children playing and chasing each other, a man about to hit a ball with a stick on the ice, playing kind of ice hockey for the 16th century.발음듣기
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Female: This is really typical of Netherlandish painting, this idea of giving us a lot of visual information, a lot of things to look at, a small little narrative so that we can patiently discover more and more.발음듣기
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This is the Renaissance. In Italy, there's an attempt at this moment to perfect, to isolate, the most ideal moment.발음듣기
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It's so different from Northern painting which is concerned with these almost literary narratives.발음듣기
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Male: It is still interested in finding meaning that comes from the multiplicity of human activities no matter how prosaic.발음듣기
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We have the birds who soar through the space, even into the very distant hills that are a reminder that Bruegel had actually made his way from northern Europe across the Alps to Italy.발음듣기
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But unlike some of the other northerners who made that trip, he doesn't come back with the latest traditions of the Italian Renaissance painters.발음듣기
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When Bruegel made his trip down to Italy, what he seems to have most been impressed with were the Alps.발음듣기
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This is a good reminder that what we're looking at is not an actual view, for example, that Bruegel saw out his window, but a composed, partially imagined, composite landscape, activated by these human figures.발음듣기
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