Bruegel, Hunters in the Snow (Winter)

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Bruegel, Hunters in the Snow (Winter)발음듣기

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(jazzy music) Female: Just looking at this painting makes me feel cold.발음듣기

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Male: We're looking at Pieter Bruegel's The Return of the Hunters or Hunters in the Snow.발음듣기

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It's this wonderful panel painting from the Renaissance, from Flanders, made for a merchant in Antwerp that had asked Bruegel to make six panel paintings, which were study of the labors of the months.발음듣기

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This is an idea that goes back to manuscript illumination, back to the Medieval Period.발음듣기

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This is perhaps the very first time in the history of painting where that idea has been brought to this larger scale.발음듣기

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Female: Each one of these paintings represents a different time of year.발음듣기

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We're obviously looking at winter here.발음듣기

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We see some hunters returning from their hunt with their dogs, but they haven't got very much to show for their day out hunting.발음듣기

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Male: If you look closely, you can see a rabbit just hanging off the back of one of the hunters, but it is a pretty meager catch.발음듣기

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It does give us a sense of the stresses of winter.발음듣기

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Female: You can see the footprints that they're leaving in the snow.발음듣기

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There's this real sense of trudging through this deep snowy landscape.발음듣기

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Male: In the foreground, there is that sense of melancholy as well.발음듣기

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Their backs are turned to us.발음듣기

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The pack of dogs that follow, their heads are down.발음듣기

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There's a sense of them being tired and unsuccessful.발음듣기

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But as our eye moves down the hill, and it moves down pretty fast, there's almost no middle ground, all of a sudden we're down in this icy pond.발음듣기

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Then we see a different side of winter. We see playfulness.발음듣기

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In fact, this painting is full of the activities of winter.발음듣기

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Female: We're not just looking at a lovely landscape, but a landscape that is given meaning by the activities of the people that inhabit it, by their daily routines.발음듣기

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Male: In fact, that idea is an ancient one, and comes from Virgil, Bruegel's patron may well have been thinking about Virgil when he commissioned this series, this notion of painting a landscape that is given meaning by the labors of the people within it.발음듣기

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Although the image seems as if it is a moment in time, in fact the painting is carefully composed.발음듣기

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Our eye follows the hunters down the hill, which is given a wonderful visual rhythm by those trees, and then my eye wants to ride down to that frozen pond where we see a woman pulling somebody else on a little sleigh.발음듣기

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Then I want to go by those black crows and under those arches.발음듣기

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There's that lovely woman just above who's carrying, perhaps, some firewood.발음듣기

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Then beyond that we see lots of play taking place.발음듣기

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Female: We do.발음듣기

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We see people pulling each other on the ice, children playing and chasing each other, a man about to hit a ball with a stick on the ice, playing kind of ice hockey for the 16th century.발음듣기

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Male: Then, perhaps, actually someone who's fallen, whose hat has fallen off.발음듣기

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Female: This is really typical of Netherlandish painting, this idea of giving us a lot of visual information, a lot of things to look at, a small little narrative so that we can patiently discover more and more.발음듣기

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Male: Think about the time that this is made.발음듣기

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This is the Renaissance. In Italy, there's an attempt at this moment to perfect, to isolate, the most ideal moment.발음듣기

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It's so different from Northern painting which is concerned with these almost literary narratives.발음듣기

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Female: And the every day, the mundane.발음듣기

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Male: It is still interested in finding meaning that comes from the multiplicity of human activities no matter how prosaic.발음듣기

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Our eye also can soar through the painting.발음듣기

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Female: Much like the birds that we see.발음듣기

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Male: That's exactly what I was thinking.발음듣기

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We have the birds who soar through the space, even into the very distant hills that are a reminder that Bruegel had actually made his way from northern Europe across the Alps to Italy.발음듣기

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But unlike some of the other northerners who made that trip, he doesn't come back with the latest traditions of the Italian Renaissance painters.발음듣기

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Instead, he seems to be caught in the landscape.발음듣기

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Look at that beautiful Alpine vista that we have in the upper right.발음듣기

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There's nothing like that in the Netherlands.발음듣기

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There's nothing like that in Flanders.발음듣기

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When Bruegel made his trip down to Italy, what he seems to have most been impressed with were the Alps.발음듣기

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This is a good reminder that what we're looking at is not an actual view, for example, that Bruegel saw out his window, but a composed, partially imagined, composite landscape, activated by these human figures.발음듣기

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Male: The landscape feels frozen and harsh, but it's warmed by its human inhabitants. (jazzy music)발음듣기

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