Nanni di Banco, Four Crowned Saints

33문장 0% 인도네시아어 번역 0명 참여 출처 : 칸아카데미
1 영상보기
영어 to
인도네시아어
2단 보기 1단 보기
번역 0%

Nanni di Banco, Four Crowned Saints발음듣기

다른 번역문 등록

(soft piano music) Man: We're on the second of Or San Michlele, and we're looking at one of the most famous sculptures that used to be on one of the exterior niches.발음듣기

다른 번역문 등록

It has been brought inside to keep it safe.발음듣기

다른 번역문 등록

This is Nanni di Banco's, The Four Crowned Mytryrs.발음듣기

다른 번역문 등록

These are four ancient Roman sculptures, who are asked by the Roman Emperor, Diocletian, to create a sculpture of a pagan God. They refused, and were put to death.발음듣기

다른 번역문 등록

The moment that Nanni di Banco has chosen to get picked is the moment when their coming to the realization that this will be their fate.발음듣기

다른 번역문 등록

Lady: This is commission by the stone masons skilled.발음듣기

다른 번역문 등록

Each skilled had a niche on the outside of the Or San Michlele, and chose a sculpture to represent their patron saints.발음듣기

다른 번역문 등록

This is unusual in that we have four figures instead of a single figure in the niche.발음듣기

다른 번역문 등록

The figures who are human in their interactions.발음듣기

다른 번역문 등록

Man: Almost as if there's a negation going on between them, and as if their thinking deeply about the consequences of the decision that their in the process of making.발음듣기

다른 번역문 등록

Then it is a deeply human experience.발음듣기

다른 번역문 등록

Lady: Instead of having these single thoughtful figures like the Donatello Saint Mark. We have figures who are looking at each other gesturing.발음듣기

다른 번역문 등록

Man: Look at the vividness of the interaction.발음듣기

다른 번역문 등록

As the man on the right is speaking, his mouth is open.발음듣기

다른 번역문 등록

There's that wonderful dark shadow `` in that really deep carving, and all of them are paying attention.발음듣기

다른 번역문 등록

Not necessarily focused on him visually, we can see them listen in the most engaged way.발음듣기

다른 번역문 등록

This is an extraordinary expression of what stone can do.발음듣기

다른 번역문 등록

And this was of course for the stone masons themselves.발음듣기

다른 번역문 등록

This guild is showing the nobility of their profession that stone can get to the heart of what it means to be human, and in a noble way to live up to ones belief.발음듣기

다른 번역문 등록

Lady: Being a sculpture in the early 15th century in Florence, looking back at the ancient Greek and Roman sculptures, it's in sculpture that we see the revival to take place.발음듣기

다른 번역문 등록

Artist like Donatello and Nanni di Banco, and then later on soon Masacio.발음듣기

다른 번역문 등록

We'll see that looking back to ancient Greek and Roman culture.발음듣기

다른 번역문 등록

This looks so ancient Roman to me.발음듣기

다른 번역문 등록

The faces look like figures from ancient Roman Republican statues. Their wearing these Roman togas.발음듣기

다른 번역문 등록

Several of them stand in contrapposto epically, this one second from the left, where we can really see his knee pressing through the drapery and a sense of his hips and really a body.발음듣기

다른 번역문 등록

Man: There's kind of a empathy that I feel for these figures that is intensified, because it is these four men.발음듣기

다른 번역문 등록

Think about Florence in the 15th century, which was really thinking about its sense of community. They took decisions together.발음듣기

다른 번역문 등록

Whether or not they were going to act we ask to the [Milanese 02:48] for example.발음듣기

다른 번역문 등록

This notion of doing things together, and doing things for the group was absolutely central to the specific nature of this city.발음듣기

다른 번역문 등록

Lady: With Donatello Saint Mark, you have the dignity of the individual which was a very important part of humanism.발음듣기

다른 번역문 등록

Here you have the importance of the relationships.발음듣기

다른 번역문 등록

The importance of the group in Nanni di Bancos Four Crowned Saints. (soft piano music)발음듣기

다른 번역문 등록

칸아카데미 더보기더 보기

전체보기
Top