Nanni di Banco, Four Crowned Saints

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Nanni di Banco, Four Crowned Saints발음듣기

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(soft piano music) Man: We're on the second of Or San Michlele, and we're looking at one of the most famous sculptures that used to be on one of the exterior niches.발음듣기

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It has been brought inside to keep it safe.발음듣기

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This is Nanni di Banco's, The Four Crowned Mytryrs.발음듣기

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These are four ancient Roman sculptures, who are asked by the Roman Emperor, Diocletian, to create a sculpture of a pagan God. They refused, and were put to death.발음듣기

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The moment that Nanni di Banco has chosen to get picked is the moment when their coming to the realization that this will be their fate.발음듣기

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Lady: This is commission by the stone masons skilled.발음듣기

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Each skilled had a niche on the outside of the Or San Michlele, and chose a sculpture to represent their patron saints.발음듣기

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This is unusual in that we have four figures instead of a single figure in the niche.발음듣기

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The figures who are human in their interactions.발음듣기

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Man: Almost as if there's a negation going on between them, and as if their thinking deeply about the consequences of the decision that their in the process of making.발음듣기

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Then it is a deeply human experience.발음듣기

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Lady: Instead of having these single thoughtful figures like the Donatello Saint Mark. We have figures who are looking at each other gesturing.발음듣기

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Man: Look at the vividness of the interaction.발음듣기

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As the man on the right is speaking, his mouth is open.발음듣기

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There's that wonderful dark shadow `` in that really deep carving, and all of them are paying attention.발음듣기

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Not necessarily focused on him visually, we can see them listen in the most engaged way.발음듣기

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This is an extraordinary expression of what stone can do.발음듣기

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And this was of course for the stone masons themselves.발음듣기

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This guild is showing the nobility of their profession that stone can get to the heart of what it means to be human, and in a noble way to live up to ones belief.발음듣기

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Lady: Being a sculpture in the early 15th century in Florence, looking back at the ancient Greek and Roman sculptures, it's in sculpture that we see the revival to take place.발음듣기

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Artist like Donatello and Nanni di Banco, and then later on soon Masacio.발음듣기

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We'll see that looking back to ancient Greek and Roman culture.발음듣기

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This looks so ancient Roman to me.발음듣기

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The faces look like figures from ancient Roman Republican statues. Their wearing these Roman togas.발음듣기

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Several of them stand in contrapposto epically, this one second from the left, where we can really see his knee pressing through the drapery and a sense of his hips and really a body.발음듣기

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Man: There's kind of a empathy that I feel for these figures that is intensified, because it is these four men.발음듣기

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Think about Florence in the 15th century, which was really thinking about its sense of community. They took decisions together.발음듣기

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Whether or not they were going to act we ask to the [Milanese 02:48] for example.발음듣기

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This notion of doing things together, and doing things for the group was absolutely central to the specific nature of this city.발음듣기

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Lady: With Donatello Saint Mark, you have the dignity of the individual which was a very important part of humanism.발음듣기

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Here you have the importance of the relationships.발음듣기

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The importance of the group in Nanni di Bancos Four Crowned Saints. (soft piano music)발음듣기

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