Munch, The Storm발음듣기
Munch, The Storm
[piano music] We're in the Museum of Modern Arts and we're looking at Edvard Munch's "The Storm", from 1893.발음듣기
The one thing that has really struck me about this painting is how dark it is compared to "The Scream".발음듣기
This is called "The Storm". They must be in the midst of a storm, which we can tell if we look around and see the tree bending, and their hair flying behind them.발음듣기
The painting was made in a small Norwegian seaside resort that Munch frequented in the summer.발음듣기
So all these women gathered together in this mob scene, they all look really frantic, worried about their fishermen husbands out at sea.발음듣기
The women are human anchors in the picture, but there is something really animate about those houses.발음듣기
The houses on the sides blur into the background, and it almost looks like a twilight scene.발음듣기
It looks... in the upper left there's a bit of green, and it blends in the corner but it also calls your eye back to the center green of the trees.발음듣기
The Expressionist painters of Die Brücke and Der Blaue Reiter, both really looked to Munch in terms of guidance in terms of how brushstrokes and mark making become an index of emotion.발음듣기
If you put your hand up to the image, and you take her form out, the composition becomes unmoored.발음듣기
They are bringing their arms up to their faces, gasping with expressions of fear and anxiety.발음듣기
You can see the gesture more, and the white-clad solitary woman, whereas this clutch, their arms, their facial features are indistinct.발음듣기
The rocks are all gathered up at the bottom of the painting, on the right side, in the right corner.발음듣기
There's something that feels very claustrophobic, but also very open at the same time, in the way that the composition is mapped out.발음듣기
He's using a very Renaissance technique of using the orthogonal to bring us into that vanishing point.발음듣기
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Pollock, "One: Number 31, 1950"
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Barnett Newman, Onement I, 1948
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