The conservator's eye: Marble statue of a wounded warrior발음듣기
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The conservator's eye: Marble statue of a wounded warrior
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[Woman] We're here in the ancient Greek and Roman galleries of the Metropolitan Museum of Art looking at an ancient Roman sculpture of a wounded warrior.발음듣기
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[Man] This is a dramatic decision made by the museum here to show only a fragment of this work.발음듣기
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He actually is missing some very important parts part of his head, his nose, both of his hands presumably a weapon, a shield.발음듣기
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[Woman] More distracting and harder to understand what the ancient Roman sculpture was after.발음듣기
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For the ancient Romans and ancient Greeks the human body was so important and that delineation of the muscles in the torso.발음듣기
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[Man] Maybe, but definitely if we were looking at this same exact sculpture 100 years ago an artist would have been hired to resupply that nose those hands, add a weapon.발음듣기
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They may have been completely different from the original but that artist would have been trying to embellish this work, make it look more beautiful.발음듣기
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[Woman] We know artists like Bernini and Michelangelo were involved in helping to reconstruct ancient Greek and Roman works.발음듣기
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[Man] Bernini wanted you to know what he did because he wanted his additions to be better than the original.발음듣기
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What we try to do is to respect the original artist's intentions as much as possible and the way I like to think about it is we help the work age gracefully.발음듣기
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We study the work, we try to understand the original artist's intentions but we don't falsify the historical record.발음듣기
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[Man] Unless you're looking at this map supplied by the Metropolitan or unless you're a conservator with highly trained eyes you don't know that that abdomen has been restored.발음듣기
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If we look at another work of art in marble the Parthenon, we realize that's it's crystal clear which parts of the building are original and which parts are resupplied.발음듣기
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[Woman] These are decisions that curators and museums and conservators are making with individual objects everyday.발음듣기
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[Man] Often when we think about restorers or conservators we think about them putting together fragments of sculptures or making sure that paintings don't have peeling or flaking paint.발음듣기
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Equally importantly that's the part that meets the oxygen in the air, that's the part that meets the ultraviolet light that can discolor many materials.발음듣기
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It's the part that meets the grime, the soiling from being underground for such a long time.발음듣기
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It's also the part that meets your greasy fingertips if please don't do this, but if you start touching works of art in museums.발음듣기
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[Woman] So you're using this technical term the patina but in some cases I feel like I'm seeing just dirt on the surface, is that what you mean by patina~?발음듣기
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[Man] Well here's why this term can be really debatable marble like many materials is porous.발음듣기
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Grime can go into the surface of marble and certainly it can discolor as it oxidizes over time.발음듣기
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[Man] Depending on when a work is restored say in the 19th century when a more aggressive cleaning was favored, perhaps it's now looking rather bleached today rather white.발음듣기
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[Woman] With ancient works we're used to seeing pieces missing we're used to seeing age on the surface.발음듣기
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But if this was a modern work and it was missing a piece we might not be as comfortable with it.발음듣기
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[Man] The distance in time now between us and the making of these objects has a lot to do with how much aging is acceptable.발음듣기
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If something is this old, perhaps it's okay to have some grime and some chipping and some cracking.발음듣기
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But imagine if this is a 21st century sculpture those same cracks, those same chips might be really distracting and might prevent us from appreciating the original artist's intentions.발음듣기
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I wanna have this balance between understanding the artist's intentions, but I also want to understand the historical record.발음듣기
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[Woman] Even though we're trying to be scientific and objective, we still carry our historical moment with us.발음듣기
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[Man] We wanna make sure that however we favor interpreting these works today is not the end of the story.발음듣기
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