Khnopff, I Lock My Door Upon Myself발음듣기
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Khnopff, I Lock My Door Upon Myself
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(piano playing) Steven: We're in Munich at the Neue Pinakothek, and we're looking at the work of a Belgian artist, Fernand Khnopff.발음듣기
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Beth: The title of the painting is, "I Lock My Door Upon Myself," from a poem by Christina Rossetti, called "Who Shall Deliver Me?"발음듣기
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Steven: I'm always interested by the visual arts when they have corollary in literature or in music.발음듣기
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The way in which artists try to create a kind of alliance between the openness of words, and the way in which we can visualize in our imagination.발음듣기
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Beth: I think it's real conundrum that painters, since the renaissance, have tried to deal with, including artists like Botticelli.발음듣기
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The stanza in the poem that this is from goes like this: I lock my door upon myself, And bar them out; but who shall wall Self from myself, most loathed of all?발음듣기
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This is, in some ways, a religious poem about inner struggle and the way that God can, in the end, provide salvation.발음듣기
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But, to me, this idea of inner struggle and inner turmoil is very much the subject of so many symbolist paintings, this inner life.발음듣기
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Steven: And so, we have this image that is very narrow in its tonality, so that there is not much distinction between, 발음듣기
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for instance, these beautiful flowers, these lilies in the foreground that space across this frieze almost creating a kind of rhythm that speaks to the rhythm of poetry.발음듣기
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Beth: Or, reminding me of a medieval painting, like a triptych in its [tri par tight] division, and the woman in the front who spans two of those parts of the painting.발음듣기
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There is no theatrical gesture. She is quiet and contemplative, but in a way that allows for the ideas of the painting to, in a sense, be embodied by her.발음듣기
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Steven: So, the symboists are creating meaning by association, by feeling, and by symbol, as opposed to by an explicit narrative.발음듣기
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Steven: For instance, probably most evident is the sculptural head that's on the shelf in the background.발음듣기
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Steven: That figure, seems to me, to be a contemplative, isolated figure, the way that we might think about [Fredricks Monks] earlier in this century.발음듣기
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Beth: Then, on the left side, we see a door, but we can't really see the space that it opens into, and next to that, perhaps a mirror.발음듣기
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Steven: Right. When we expect to see lilies, we tend to see white ones, and it speaks to Mary's virginity.발음듣기
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Beth: The female figure also looks off into the distance in a way that we can't read what she's feeling very clearly.발음듣기
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Steven: As if that's not enough ambiguity, there are other elements in here that are just tantalizing.발음듣기
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Then, just to the right of that, in a rectangle, we can just make out what seem to be two circles, and what might be a face in the center.발음듣기
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One way to think about that is that the impressionists, who came just before the symbolists, took the objective world and saw it through the lens of individual temperament.발음듣기
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Steven: In a sense, the interior subjective self made universal as it's brought into the visual realm.발음듣기
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